Verjee talks about her experience interacting with the Desh Pardesh festival in the late 1990s. She was not involved directly at an organizational level, but comes from a background in community organization because of her involvement in groups such…
Matharu discusses the critical progressive nature of the Desh Pardesh festival, and how this was targeted specifically for a population of people of colour. Matharu also touches briefly on the intergenerational nature of the festival, and how this…
Selvadurai, a writer and cartoonist, discusses his involvement with the Desh Pardesh festival and analyzes the deep identity politics that permeated every conversation held at the festival. He is a Sri Lankan born gay man in a festival where Sri…
In her oral history, Natasha Singh articulates why Desh was so influential, and also goes into depth about the world-wide influence Desh had on South Asian festivals. Additionally, she gives an example of how Desh empowered her in her everyday life.
In this oral history Dunstan Egbert describes how he started volunteering with the Alliance for South Asian AIDS Prevention (ASAAP), and Desh Pardesh. He also worked with Khush, but explains why he identifies more as a ASAAP and Desi participant than…
In this oral history, Cameron Bailey focuses on the uniqueness of Toronto’s art scene; he says that artists in Toronto can work together despite difference. He is only vaguely aware of the politics within Desh Pardesh. He also speaks about…
Arif Noorani, in this oral history, active in Desh Pardesh in the 90’s, discusses his involvement with other activist groups, notably Queer Nation and CKLN. He talks about the influence Mike Harris had on the numerous arts collectives who lost…
This interview with Amita Handa on June 4th, 2015 is largely dedicated to a careful critique of the benefits and dangers of identity politics and intersectional theory, as well as a summary of the arts and culture she and her colleagues were involved…