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https://digitalexhibitions.arquives.ca/files/original/fd64d7d7ca41dc59f17061fad583621f.pdf
a236f9ad070be1d5b0545462865800e9
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
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Queer Liberation Theory Project
Description
An account of the resource
<p><span style="font-weight: 400;">The Queer Liberation Theory Project seeks to advance the public education and community development work being done in the name of Queer Liberation by resurrecting the principles of the historical Gay Liberation Movement, re-contextualizing them within contemporary queer discourse, translating the findings in theoretical terms, and disseminating them through various accessible multimedia platforms.</span></p>
<p><span style="font-weight: 400;">Ontario-based activists, academics and artists who engage in queer liberation theory and activism have been interviewed and an oral discussion and feature documentary created for public education and queer community development purposes. </span></p>
Creator
An entity primarily responsible for making the resource
Nick Mulé and Queer Ontario
Publisher
An entity responsible for making the resource available
Dissident Voices Productions
Contributor
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Nick Mulé and Queer Ontario
Language
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English and French
Text
A resource consisting primarily of words for reading. Examples include books, letters, dissertations, poems, newspapers, articles, archives of mailing lists. Note that facsimiles or images of texts are still of the genre Text.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
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Queer Liberation Theory Project and Knowledge Mobilization (2013)
Description
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Research snapshot from York University
Creator
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Nick Mule and York University
Publisher
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York University
Date
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2013
Rights
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This work is licensed under the Creative Commons Attribution-Noncommercial-No Derivative Works 2.5 Canada.
Format
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PDF
Language
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English
Queer Liberation Theory Project
York University
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https://digitalexhibitions.arquives.ca/files/original/e3f3ec7042499edba31c38e020b3b268.png
3924e96eae46fc5131c7161bbe97c8c7
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
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LGBTQ+ Oral Histories
Description
An account of the resource
A selection of oral histories from The ArQuives collections.
Date
A point or period of time associated with an event in the lifecycle of the resource
1970-2005
Format
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Cassette tapes, digital video
Language
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English
Contributor
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LGBTQ Oral History Digital Collaboratory (Elspeth Brown, PI)
Canadian Lesbian and Gay Archives
Hyperlink
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Interviewer
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Brown, Elspeth
Interviewee
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Lee Kam, Lezlie
Location
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Toronto, Ontario, Canada
Original Format
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moving image
Duration
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1 hr 20 minutes (PT 1)
URL
<iframe src="https://player.vimeo.com/video/253802550" frameborder="0" width="640" height="360"></iframe>
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
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Oral History with Lezlie Lee Kam, PT 1 (27 April, 2017)
Creator
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Brown, Elspeth;
Lee Kam, Lezlie
Publisher
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Canadian Lesbian and Gay Archives
Date
A point or period of time associated with an event in the lifecycle of the resource
1970s-1980s
Contributor
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Lee Kam, Lezlie
Brown, Elspeth
Rights
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CLGA
Format
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mp4
Language
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English
Type
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video
Subject
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dyke; lesbian; black power; Carib; Callaloo; world majority; activism; LOOT; Lesbian Organization of Toronto; Carnaval; Mas; migration; immigration; racism; Caribbean-Canadian; Trinidad; butch fem; lesbian separatism; Michigan Womyn's Music Festival; transphobia; coming out; Catholicism; York University; 1970s
Description
An account of the resource
This is the first of two oral histories with Lezlie Lee Kam, a 55+, gender-mysterious, world majority person and dyke; a Trini; a Carib; Brown; and a Callaloo-a mix of Chinese, Carib, Indian, Portuguese, and Venezuelan. She was born in Trinidad and left for Toronto in 1970. In this interview, Lezlie discusses her childhood in Trinidad with her 3 brothers with her working-class father and her more well-off mom; at age 11, when she was beginning her education in a convent school, her parents separated. Lezlie stayed with her father and 3 brothers, while her mother moved to Toronto in 1968. Lezlie was involved with Mas, as was her dad, who was a band leader; she's continued to be involved with Carnaval since. When Lezlie was 16, she moved to Toronto to be with her mother in Toronto, despite not wanting to leave. Discusses her attraction to girls from a young age, while also at the same time dating boys. Two of her brothers emigrated in 1976; she describes the debates she had with her mother around her mother's expectations that she do gendered labour in the household, while her brothers did nothing.
Lezlie was only one of four non-white kids in high school in 1970: she describes racism, being called a 'monkey' by the boys, and her (humorous) response, her accent, and her efforts to modulate it once in Canada. Lezlie came out, to herself, while she was at York U 1972-1976. She discusses radical student politics at York, and the expectation that all non-whites sit at the 'black table' in solidarity with black power. She learned about Cuba, South American indigenous issues, and Caribbean literature.
Discusses her first relationship with a woman, Sonia, a mixed race Trinidadian who attended Ryerson, and the physical passion that ensued after figuring it all out for the first time; they were together for 3 years, when they were caught kissing, and Sonia's family shipped her back to Trinidad.
Lezlie describes her activism with LOOT, the Lesbian Organization of Toronto (LOOT), in the late 1970s. She worked at the coffee house, on the phones, and wanted to be a person of colour for other lesbians who looked like her. Describes her work at LOOT and encountering butch-fem roles and lesbian separatism in the contemporary scene. Race and racism was not a topic of discussion among the white LOOT activists. Discusses the transphobia she encountered at the Michigan Womyn's Musical Festival, as well as how very few other women of color were there.
Night life, late 1970s: describes the 4 women of colour in the scene, who went to The Studio, a bar where gay men and lesbians mixed. They stood out, and became disco queens; they checked out the Camu (sp?) on Trinity, near Eastern. The Camu was a working class butch-fem bar, with tuxedos and ball gowns, the whole thing; they were the only people of colour. Discusses her own sense of gender then, and more recently. She was never butch or fem herself.
This interview continues in a second interview on June 16, 2017.
butch fem
Callaloo
Carib
Caribbean
Carnaval
coming out
dyke
immigration
lesbian
Lesbian Organization of Toronto
lesbian separatism
LOOT
Mas
Michigan Womyn's Music Festival
migration
oral history
racism
Toronto
transphobia
Trinidad
York University