The ArQuives Digital Exhibitions

Browse Items (31 total)

Screenshot from Oral history with Anthony Mohamed (1 November 2019).png
A screenshot from the oral history interview with Anthony Mohamed in 2019.

F0184-01-002-005 - Clipping from XTRA! newspaper December 1992 issue.jpeg
Newspaper article by Gordon Bowness in XTRA! newspaper December 1992 issue about reclaiming derogatory terms in the South Asian community.

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Leila Sujir is an artist that first worked at Desh Pardesh in the late 1980s. Her work India Hearts Beat screened in Toronto, and she was invited to discuss it. She felt that Desh was a space of both validation and contention. She argues it gave…

DP032 - Shyam (Final Transcript).pdf
Selvadurai, a writer and cartoonist, discusses his involvement with the Desh Pardesh festival and analyzes the deep identity politics that permeated every conversation held at the festival. He is a Sri Lankan born gay man in a festival where Sri…

DP031 - Shelly (Final Transcript).pdf
Shelly Bahl was one of the founders of the South Asian Visual Arts Centre (SAVAC). In this interview she discusses her role in several small collectives prior to her full involvement in SAVAC, and how these collectives worked hand in hand with the…

sheila.png
Sheila and Rachel, in this oral history interview, speak about their roles in Desh Pardesh, as a contributor and a programming coordinator, respectively. They explain the internal mechanisms of Desh, as well as its public perception at the time. They…

DP024- Paramjit (Final Transcript).pdf
Paramjit Rai was a volunteer and co-coordinator at Desh Pardesh for a number of years. She discusses her experience as a social policy worker and academic at the festival and how this role of “outsider” informed her perspective on the festival. She…

DP023- Pamila (Final Transcript).pdf
Matharu discusses the critical progressive nature of the Desh Pardesh festival, and how this was targeted specifically for a population of people of colour. Matharu also touches briefly on the intergenerational nature of the festival, and how this…

DP020 - Natasha (Final Transcript).pdf
In her oral history, Natasha Singh articulates why Desh was so influential, and also goes into depth about the world-wide influence Desh had on South Asian festivals. Additionally, she gives an example of how Desh empowered her in her everyday life.

DP016- Leela (Final Transcript).pdf
Acharya was an activist that was involved in the progressive feminist scene in Toronto prior to hearing about Desh Pardesh. She later went on to work in the programming committee for Desh Pardesh. In this interview, Acharya discusses how the…
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