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&#13;
Collective members included:&#13;
&#13;
Rachel Epstein&#13;
Maureen FitzGerald&#13;
Amy Gottlieb&#13;
Didi Khayatt&#13;
Mary Louise Noble&#13;
Lorie Rotenberg&#13;
&#13;
Some of the women interviewed also appeared in Aerlyn Weissman and Lynne Fernie’s NFB-funded documentary Forbidden Love: The Unashamed Stories of Lesbian Lives. The 1992 film was out of print for many years until 2014, when the National Film Board released it in digital format. &#13;
&#13;
Although the organizers of Lesbians Making History were committed to keeping the project a community-based initiative, and not one rooted in academic pursuit, they allowed Elise Chenier, now a professor at Simon Fraser University, to use the transcripts of the interviews for her MA thesis. Chenier’s work on lesbian bar culture in the 1950s and 60s is widely taught in Canadian universities. Interview material was also used by Cameron Duder and by Gary Kinsman and Patrizia Gentile.&#13;
&#13;
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&#13;
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                <text>Pat Murphy was born in 1941 to an Irish-Catholic working-class family in Toronto, Canada. Murphy trained as a nurse and worked initially at Lakeshore Psychiatric Hospital in 1964, where she had her first lesbian relationship with a co-worker. The interview covers Murphy’s transition to activism and community work initially through Canadian Homophile Association of Toronto. The interview examines dissensions between lesbians and gay men in the political movements of the 1970s and 1980s. Murphy outlines her role as a public figure of the lesbian movement; her activism in WAVAW (Women Against Violence Against Women); and the opening of the bar, The Fly-By-Night. Murphy also details her involvement as one of the Brunswick Four, a popularly-reported series of arrests which informed the Royal Commission on Toronto Police Practices.</text>
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&#13;
Collective members included:&#13;
&#13;
Rachel Epstein&#13;
Maureen FitzGerald&#13;
Amy Gottlieb&#13;
Didi Khayatt&#13;
Mary Louise Noble&#13;
Lorie Rotenberg&#13;
&#13;
Some of the women interviewed also appeared in Aerlyn Weissman and Lynne Fernie’s NFB-funded documentary Forbidden Love: The Unashamed Stories of Lesbian Lives. The 1992 film was out of print for many years until 2014, when the National Film Board released it in digital format. &#13;
&#13;
Although the organizers of Lesbians Making History were committed to keeping the project a community-based initiative, and not one rooted in academic pursuit, they allowed Elise Chenier, now a professor at Simon Fraser University, to use the transcripts of the interviews for her MA thesis. Chenier’s work on lesbian bar culture in the 1950s and 60s is widely taught in Canadian universities. Interview material was also used by Cameron Duder and by Gary Kinsman and Patrizia Gentile.&#13;
&#13;
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&#13;
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&#13;
Collective members included:&#13;
&#13;
Rachel Epstein&#13;
Maureen FitzGerald&#13;
Amy Gottlieb&#13;
Didi Khayatt&#13;
Mary Louise Noble&#13;
Lorie Rotenberg&#13;
&#13;
Some of the women interviewed also appeared in Aerlyn Weissman and Lynne Fernie’s NFB-funded documentary Forbidden Love: The Unashamed Stories of Lesbian Lives. The 1992 film was out of print for many years until 2014, when the National Film Board released it in digital format. &#13;
&#13;
Although the organizers of Lesbians Making History were committed to keeping the project a community-based initiative, and not one rooted in academic pursuit, they allowed Elise Chenier, now a professor at Simon Fraser University, to use the transcripts of the interviews for her MA thesis. Chenier’s work on lesbian bar culture in the 1950s and 60s is widely taught in Canadian universities. Interview material was also used by Cameron Duder and by Gary Kinsman and Patrizia Gentile.&#13;
&#13;
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&#13;
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&#13;
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&#13;
Rachel Epstein&#13;
Maureen FitzGerald&#13;
Amy Gottlieb&#13;
Didi Khayatt&#13;
Mary Louise Noble&#13;
Lorie Rotenberg&#13;
&#13;
Some of the women interviewed also appeared in Aerlyn Weissman and Lynne Fernie’s NFB-funded documentary Forbidden Love: The Unashamed Stories of Lesbian Lives. The 1992 film was out of print for many years until 2014, when the National Film Board released it in digital format. &#13;
&#13;
Although the organizers of Lesbians Making History were committed to keeping the project a community-based initiative, and not one rooted in academic pursuit, they allowed Elise Chenier, now a professor at Simon Fraser University, to use the transcripts of the interviews for her MA thesis. Chenier’s work on lesbian bar culture in the 1950s and 60s is widely taught in Canadian universities. Interview material was also used by Cameron Duder and by Gary Kinsman and Patrizia Gentile.&#13;
&#13;
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&#13;
Collective members included:&#13;
&#13;
Rachel Epstein&#13;
Maureen FitzGerald&#13;
Amy Gottlieb&#13;
Didi Khayatt&#13;
Mary Louise Noble&#13;
Lorie Rotenberg&#13;
&#13;
Some of the women interviewed also appeared in Aerlyn Weissman and Lynne Fernie’s NFB-funded documentary Forbidden Love: The Unashamed Stories of Lesbian Lives. The 1992 film was out of print for many years until 2014, when the National Film Board released it in digital format. &#13;
&#13;
Although the organizers of Lesbians Making History were committed to keeping the project a community-based initiative, and not one rooted in academic pursuit, they allowed Elise Chenier, now a professor at Simon Fraser University, to use the transcripts of the interviews for her MA thesis. Chenier’s work on lesbian bar culture in the 1950s and 60s is widely taught in Canadian universities. Interview material was also used by Cameron Duder and by Gary Kinsman and Patrizia Gentile.&#13;
&#13;
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&#13;
Collective members included:&#13;
&#13;
Rachel Epstein&#13;
Maureen FitzGerald&#13;
Amy Gottlieb&#13;
Didi Khayatt&#13;
Mary Louise Noble&#13;
Lorie Rotenberg&#13;
&#13;
Some of the women interviewed also appeared in Aerlyn Weissman and Lynne Fernie’s NFB-funded documentary Forbidden Love: The Unashamed Stories of Lesbian Lives. The 1992 film was out of print for many years until 2014, when the National Film Board released it in digital format. &#13;
&#13;
Although the organizers of Lesbians Making History were committed to keeping the project a community-based initiative, and not one rooted in academic pursuit, they allowed Elise Chenier, now a professor at Simon Fraser University, to use the transcripts of the interviews for her MA thesis. Chenier’s work on lesbian bar culture in the 1950s and 60s is widely taught in Canadian universities. Interview material was also used by Cameron Duder and by Gary Kinsman and Patrizia Gentile.&#13;
&#13;
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&#13;
Embedded at the Canadian Lesbian and Gay Archives (CLGA), Collaboratory members digitized LMH materials and created new verbatim transcriptions. Original LHM collective members assisted with editing transcripts, identifying key words and writing abstracts for each oral history interview. </text>
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                <text>Betty was born on a farm just outside in Sydney, Australia and Shirley was born in Sudbury in 1924. The two meet in Toronto in the 1960s, where they were apart of the lesbian bar scene that gravitated around The Continental. At the time of the interview in 1985, both Shirley and Betty are retired. The interview covers their early lives in Australia and Sudbury, Ontario; their coming-out experiences and various men and women they have dated; Betty’s travels around the world and Shirley’s work for CBC; their first encounter; and life in the lesbian bar scene in Toronto. </text>
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                <text>A native of Hamilton, Kyle Scanlon was a member of the queer students’ organization at McMaster University. A move to Toronto led Kyle into the Lesbian Gay Bi Youth Line, where he became the first openly transsexual man to be the Executive Director of a queer agency in Canada. Kyle was led to his current position at the 519 Community Centre, where he serves as the Centre’s Trans Programmes Co-coordinator. Finding emergency housing, securing funding for the programmes he oversees, providing a supportive ear and a safe space for distressed clients, and engaging in the process with Toronto’s homeless shelters to implement trans-positive policies are all in a day’s work. With the program’s’ weekly drop-in centre, Kyle also ensures his clients can look forward to a hot, nourishing meal, can access a housing worker and a legal clinic.&#13;
&#13;
After hours, he can be found working as a member of Toronto’s LGBT Police Consultative Committee, with the Sherbourne Health Centre, where he works to improve access to medical services for the trans, two-spirited, and intersexed communities, or in an advisory role to a number of research projects related to trans issues. He was a key player in the Youth Migration Project, a large-scale research study undertaken to evaluate issues in HIV vulnerability in youth who have migrated to Toronto, the AIDS Committee of Toronto’s Trans Needs Assessment, and Fred Victor Centre’s document “Where We Are All Welcome”, highlighting the unique issues of homeless trans people trying to access space in hostels and shelters. Additionally, Kyle has supported many other community organizations in their quest to become trans-positive/trans-accessible, including the Children’s Aid Society of Toronto, The Centre for Addiction and Mental Health, the Planned Parenthood Federation of Canada, and the Law Society of Upper Canada, to name only a few.&#13;
&#13;
His publications have appeared in such diverse media outlets as local newspapers, feminist essay collections, health advocacy websites, and academic journals. Kyle has been invited to speak at conferences across North America, and was recognized for his extensive community involvement with the 2001 Grassroots Trans Community Activist of the Year from SOY. (2005 Induction Statement)&#13;
&#13;
Natif de Hamilton, Kyle Scanlon a été membre de l’organisme gai de l’Université McMaster. Arrivé à Toronto, il s’engage dans Lesbian Gay Bi Youth Line, où il devient le premier homme ouvertement transsexuel à occuper le poste de directeur général d’une agence gaie au Canada. Kyle est aujourd’hui coordonnateur des programmes Trans au Centre communautaire The 519. Il lui incombe de trouver du logement d’urgence et du financement pour ses programmes, d’écouter les clients en détresse et de leur procurer un espace sécuritaire, et de sensibiliser les centres pour sans-abri de Toronto au bien-fondé des politiques Trans. Grâce au centre d’accueil hebdomadaire, Kyle veille à ce que ses clients jouissent d’un repas chaud nutritif et aient accès à une clinique juridique ainsi qu’à un travailleur social spécialisé en logement.&#13;
&#13;
Après le boulot, Kyle œuvre auprès du comité consultatif LGBT de la Sûreté de Toronto, agit comme consultant pour divers projets de recherche reliés à la trans-sexualité et travaille avec le Centre de santé Sherbourne où il veille à ce que les services médicaux soient accessibles aux communautés bi-spirituelles, transsexuelles et inter-sexuelles. Il a joué un rôle clé dans le projet Youth Migration (une imposante recherche évaluant les questions du VIH auprès des jeunes vulnérables qui immigrent à Toronto), dans l’évaluation des besoins des transsexuels effectuée par le Comité du sida de Toronto et dans la rédaction, pour le Centre Fred-Victor, du document « Where We Are All Welcome » sur les besoins uniques des transsexuels en ce qui a trait à l’accès aux auberges et aux centres d’accueil. De plus, Kyle a appuyé plusieurs organismes communautaires dans leur désir de devenir plus ouverts et accessibles aux transsexuels, y compris la Société d’aide à l’enfance de Toronto, le Centre de toxicomanie et de santé mentale, la Fédération pour le planning des naissances du Canada et le Barreau du Haut-Canada.&#13;
&#13;
Ses publications ont paru dans des médias aussi variés que les journaux locaux, les collections d’essais féministes, les sites Internet de revendication en matière de santé et les ouvrages académiques. Kyle a été invité à prononcer des conférences partout en Amérique du Nord. En reconnaissance de son engagement communautaire, SOY lui a décerné le 2001 Grassroots Trans Community Activist of the Year Award. (2005 Déclaration d’induction)</text>
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                <text>Craig Russell, Canadian female impersonator, stage actor and entertainer, writer and movie star, was born in Toronto. At 13, Mr. Russell formed the Mae West International Fan Club and by 15, he made the first of several trips to California to work for West while perfecting his impersonations of her. A high school dropout, he worked as a professional hairdresser while performing his female impersonations at gay clubs in Toronto. Others in his repertoire included Miss Peggy Lee, Judy Garland, Carol Channing and Barbra Streisand.&#13;
&#13;
He performed in both North American and European circuits gathering many fans. The loosely, autobiographical film, Outrageous, in 1977 provided Russell a vehicle for his impersonations making him an international star and winning a Silver Bear Award for Best Actor at the Berlin Film Festival in 1978. In the 1970s and 1980s, Russell toured extensively and returned to Toronto in 1982 to film Too Outrageous!&#13;
&#13;
Craig Russell lived a tumultuous life complicated with mental illness, alcoholism and AIDS; but, his stage and screen persona served as a role model to female impersonators and drag queens around the world. (2001 Induction Statement)&#13;
&#13;
Travesti, comédien, artiste de la scène, écrivain, vedette de cinéma et fondateur (à 13 ans) du Mae West International Fan Club</text>
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                <text>A torch-bearer for several generations of lesbian writers and activists, Jane Rule has written 12 critically acclaimed books and created a legacy of active engagement in the pursuit of lesbian and gay rights. Her beautifully crafted, pioneering first novel, Desert of the Heart (1964), was written before the formation of a gay liberation movement.&#13;
&#13;
Jane Rule, who has seen her own book, The Young in One Anothers Arms, seized by customs officials, is an outspoken opponent of censorship. Among many causes, she has supported The Body Politic and Little Sisters bookstore in their battles with censors. Her life and work have been honoured in an inspiring and moving film by Lynne Fernie and Aerlyn Weissman, Fiction and Other Truths: A Film About Jane Rule. (1998 Induction Statement)&#13;
&#13;
Jane Rule died at her home on Galiano Island, B.C., November 28, 2007. She was 76.&#13;
&#13;
Militante, auteure de 12 livres primés par la critique, y compris son premier roman pionnier, Desert of the Heart (1964), écrit avant le début du mouvement de libération homosexuelle.</text>
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                <text>Gerry Rogers, is a person who gives from her heart as well as her mind. She has shared her humanistic and activist concerns in her work as well as in her personal life. Gerry is an accomplished filmmaker with many award-winning films to her credit, including My Left Breast. This incredible film has won over 20 awards including two Geminis, Gold at the Hot Docs Festival, two awards at the Toronto Lesbian &amp; Gay Film Festival and two awards at the Dallas Gay &amp; Lesbian Film Festival.&#13;
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In this film, Gerry has transformed her personal experience of breast cancer into the political by giving breast cancer a face…her face. Gerry's vulnerability is her strength as she lets the viewer see her unmasked. This personal sharing removes much of the shame associated with cancer. Her courage not only inspires all 'survivors' who view the film, but it also helps to make a larger audience aware of the many complex issues surrounding breast cancer.&#13;
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What is also very important in this film is the love that is shared between Gerry and her partner, Peg, who was the main cameraperson during the film's creation. This love and commitment that is so clearly and powerfully evident to viewers of the film, goes a long way in educating people about same sex relationships.&#13;
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Gerry took My Left Breast on tour to the United States and was invited to speak on the Rosie O'Donnell show. Back in Canada, she was interviewed in depth by Vicki Gabereau in December of 2000 thus bringing added awareness to Canadians. Gerry's other award winning documentaries include The Vienna Tribunal, To A Safer Place, and Kathleen Shannon. But Gerry's biggest accomplishment, according to the many people who know and love her, is the kindness and caring that she shares with all who come in contact with her. Her life and her art are one. (2003 Induction Statement)&#13;
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Gerry Rogers est une femme généreuse de cœur et d'esprit. Dans son travail et dans sa vie privée, elle a partagé ses préoccupations humaines et militantes. Gerry est une cinéaste chevronnée qui a plusieurs films primés à son actif, y compris My Left Breast. Ce film incroyable lui a valu vingt prix, dont deux Gémeaux, la palme d'or au Hot Docs Festival, deux prix au Festival des films gais et lesbiens de Toronto et deux prix au Festival des films gais et lesbiens de Dallas.&#13;
Avec ce film, Gerry a greffé une facette politique à son expérience personnelle en donnant un visage au cancer du sein : son visage. La force de Gerry réside dans sa vulnérabilité car le masque tombe devant le public. Ce partage personnel a pour effet d'éliminer la honte associée au cancer. Son courage est inspirant pour les " survivantes " qui voient le film, tout en sensibilisant un public plus large au sujet des questions complexes entourant le cancer du sein.&#13;
Ce qui est également important dans ce film, c'est l'amour que Gerry partage avec sa partenaire Peg, qui fut la principale préposée à la caméra durant le tournage. Cet amour et cet engagement, si évidents et puissants aux yeux des spectateurs, contribuent à l'éducation au sujet des relations de même sexe.&#13;
Gerry a présenté My Left Breast en tournée américaine et a été invitée à l'émission Rosie O'Donnell. De retour au Canada, elle eut une entrevue en profondeur avec Vicki Gabereau en décembre 2000, augmentant ainsi le rayonnement canadien. Les autres films primés de Gerry incluent The Vienna Tribunal, To A Safer Place et Kathleen Shammon. Au dire de ceux et celles qui la connaissent et qui l'aiment, la plus grande contribution de Gerry demeure la bonté et le soin qu'elle partage avec quiconque entre en contact avec elle. Sa vie et son art ne font qu'un. (2003 Déclaration d'Induction)</text>
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            <name>Creator</name>
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                <text>Claire Priddle</text>
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                <text>Canadian Lesbian and Gay Archives</text>
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            <name>Date</name>
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                <text>2003</text>
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            <name>Format</name>
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                <text>Medium: acrylic on canvas&#13;
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Dimensions: 41 x 25 cm (W x H)</text>
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            <name>Identifier</name>
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                <text>138</text>
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