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                  <text>Not a Place on the Map: The Desh Pardesh Project&#13;
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                  <text>diaspora, artists, South Asian, people of colour, festivals, identity, racism</text>
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                  <text>Toronto’s Desh Pardesh festival (1988–2001) was a multidisciplinary arts festival that showcased underrepresented and marginalized voices within the South Asian diaspora. These oral history interviews with artists and organizers involved in the festival were created by the South Asian Visual Arts Centre in 2016.</text>
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                  <text>CLGA holds additional records related to Desh Pardesh and Khush</text>
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                  <text>1988–2001, Toronto, South Asia</text>
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                  <text>LGBTQ Oral HIstory Digital Collaboratory, SAVAC</text>
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                <text>Questions of Community: Desh Pardesh Provides Forum for South Asian Artists (1991) </text>
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                <text>Community, Representation, South Asian Identity</text>
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                <text>This image depicts a news article that dicusses the vision of Desh Pardesh as explained by the organizer, Punam Khosla, and it highlights the importance of LGBT representation in the festival.</text>
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Eurasian-Canadian Rupert Raj has been a trans activist in Canada, the USA and abroad since 1971---the same year he began his 41-year gender transition in Ottawa. First a newsletter editor, peer-counsellor, researcher and educator (1978-2001), then a psychotherapist, gender consultant and professional trainer (2001-2015), and finally an author/editor (1997-present), Rupert has been engaging with queer, trans, non-binary, intersex, two-spirit adults and teens, and their loved ones for more than 50 years. The two trans service organizations he co-founded were Foundation for the Advancement of Canadian Transsexuals (FACT) (1978-1982) and Metamorphosis Medical Research Foundation (MMRF) (1983-1988), and the three counselling/consulting services were: Metamorphosis Counselling &amp; Educational Services (1982-1983), Gender Worker/Gender Consultants (1988-1990) and RR Consulting (2001-2015). Rupert's three published books include: Trans Activism in Canada: A Reader (with Dan Irving) (2014), Of Souls &amp; Roles, Of Sex &amp; Gender: A Treasury of Transsexual, Transgenderist and Transvestic Verse from 1967 to 1991 (2017, 2018) and Dancing the Dialectic: True Tales of a Transgender Trailblazer (second edition) (2020). The Rupert Raj Collection in the Digital Transgender Archive (DTA) includes newsletters, magazines, books, newspaper clippings (scrapbooks), correspondence, photographs and other materials. </text>
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                  <text>Researchers wishing to publish materials must obtain permission in writing from The ArQuives as the physical owner. Researchers must also obtain clearance from the holder(s) of any copyrights in the materials. Note that The ArQuives can grant copyright clearance only for those materials for which we hold the copyright. It is the responsibility of the researcher to obtain copyright clearance for all other materials directly from the copyright holder(s).</text>
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                  <text>The Queerspawn Digital Storytelling Project was spearheaded by Sadie Epstein-Fine, creative and operational lead with community support from Makeda Zook in 2021. The goal of the project was to provide participants of all ages with one or more LGBTQ2+ parent(s) a way to explore aspects of the queerspawn experience through digital content creation. Over the course of 5 months, the Queerspawn project participants met virtually to share space and build community. They explored different ways to get into their stories and experiences. The project included 13 participants, who created video, art projects and installations, audio stories, podcasts and essays, exploring how their identities and life experiences have intersected with their queerspawn identity.&#13;
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                  <text>The fonds contains records from the Queerspawn Digital Storytelling Project dating from 1942 to 2021. It includes photographs, art installations, artwork, podcasts, audio stories, essays and video created by the thirteen project participants. Project participants were based out of Canada, the United States and Australia.</text>
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