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                  <text>1988–2001, Toronto, South Asia</text>
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                  <text>The fonds consists of materials related to Mirha-Soleil Ross’ time living in Toronto, from the early 1990s until 2008, and include published work and drafts in multiple formats, correspondence, press materials, notes, financial records, and clippings. These materials document several aspects of Ms. Ross’ life and work, including her activism, art-practice, community outreach, sex work, and interviews, as well as representing the type of media she herself was consuming and which in turn informed her work. Records are mostly focused on Toronto, Montreal, and Canada. &#13;
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The fonds consists of the following series: &#13;
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                  <text>Mirha-Soleil Ross retains rights to all her materials, but has granted the Canadian Lesbian and Gay Archives permission to licence materials from her fonds. Researchers wishing to publish materials must obtain permission in writing from the Canadian Lesbian and Gay Archives as the physical owner. Researchers must also obtain clearance from the holder(s) of any copyrights in the materials. It is the responsibility of the researcher to obtain copyright clearance for all other materials directly from the copyright holder(s).</text>
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                <text>Mirha-Soleil Ross fonds (f0033)</text>
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1990s, Toronto</text>
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                <text>Black and white photograph of Mirha-Soleil Ross and Xanthra Phillippa MacKay. They are outside on a summer day and grass and bushes are visible in the background. The two women are closely embracing, but their faces are turned toward the camera. Both are smiling, and Mirha has stuck her tongue out playfully. </text>
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                  <text>1988–2001, Toronto, South Asia</text>
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              <name>Contributor</name>
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                <text>This image depicts a sketch found in the Desh Pardesh archives that discusses oppression and breaking boundaries. </text>
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        <name>South Asian Visual Arts Centre</name>
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