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&lt;p&gt;&#13;
PDF version of the essay "My Moms Are Getting Gay Married, but I Won't Be There." Essay published under the name Kimmi Lynne Moore in &lt;i&gt;Spawning Generations: Rants and Reflections on Growing Up With LGBTQ+ Parents&lt;/i&gt;, edited by Sadie Epstein-Fine and Makeda Zook (Bradford: Demeter Press, 2018), p. 156-164. &#13;
&lt;p&gt;&#13;
"Writing and publishing ”My Mom’s Are Getting Gay Married but I won’t be There,” for&lt;i&gt; Spawning Generations&lt;/i&gt;, was a catalyst for me in my journey of healing. It led me to pursue a dream of centering art in my life and activism work. In 2018, I graduated from the Maryland Institute College of Art with a Masters in Fine Arts in Community Arts. My thesis, “What Were They Feeding Me” sprung directly from what was missing in my original essay, my family’s legacy of white supremacy. My thesis work investigated the ways in which I have inherited structures and legacies of power and trauma. By focusing on incest and white supremacy, I began to understand how these systems feed off of each other to create deeply rooted social disease and decay. This work was guided by the literature of many Black and anti racist white scholars before me, most prominently, James Baldwin.&#13;
&lt;p&gt;&#13;
&#13;
“This problem, which they invented in order to safeguard their purity, has made of them criminals and monsters, &#13;
and it is destroying them.” -James Baldwin, I Am Not Your Negro, 1979'&#13;
&lt;p&gt;&#13;
&#13;
By researching and engaging with physical objects and stories from my own heritage, I explored how certain legacies have been passed-down and others have been silenced. I have dug, and will continue to sift, through generations of warped storytelling in an attempt to learn the true evil and destruction of whiteness. The artist statement, images and video of my thesis, show part of that exploration. An attempt to make visible and physical what my family has hidden away inside our bodies.&#13;
&lt;p&gt;&#13;
&#13;
By researching and engaging with physical objects and stories from my own heritage, I explored how certain legacies have been passed-down and others have been silenced. I have dug, and will continue to sift, through generations of warped storytelling in an attempt to learn the true evil and destruction of whiteness. The artist statement, images and video of my thesis, show part of that exploration. An attempt to make visible and physical what my family has hidden away inside our bodies.&#13;
&lt;p&gt;&#13;
&#13;
My mothers attended my thesis and we are seen at the end of the video embracing. This painful unearthing has led to a lot of growth, reckoning and healing.&#13;
&lt;p&gt;&#13;
&#13;
There is more to come." -- Robin Marquis</text>
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Queerin' What You're Hearin' is the story of one of Toronto's most innovative storytelling initiatives, Queers in Your Ears, celebrating 20 years of LGBTQ storytelling. Listeners discover some of the unique spaces in Toronto's LGBTQ community where QIYE has given voice to queer stories, sharing some of the compelling tales that are part of that history.&#13;
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22 Yorkville Ave, Toronto&#13;
&#13;
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&#13;
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One Toronto. Infinite Perspectives.&#13;
&#13;
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&#13;
No More S#%&amp;!: Operation Soap Revisited&#13;
&lt;i&gt; No More S#%&amp;! &lt;/i&gt; combines a participatory community conversation and World Cafe event that revisits the 1981 Bathhouse Raids and considers whose stories are being told and how we might re-envision Toronto's LGBTQ+ history with a compelling storytelling performance by Jeffrey Canton, Marcus Peterson, and Queers in Your Ears based on true stories of some of the individuals involved.&#13;
&#13;
Community Conversation:&#13;
March 12, 2 - 5pm&#13;
The 519 Community Centre, 519 Church St, Toronto&#13;
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www;myseumoftoronto.com/intersections&#13;
&#13;
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March 22, 7 - 9PM&#13;
March 25, 2 - 4PM&#13;
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&#13;
March 26, 4:30 - 5:30PM&#13;
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