119 10 3176 https://digitalexhibitions.arquives.ca/files/original/8a05e9d9f8caa6485b187b98d3075003.mp3 0cdc1cb6308e488b1ebb5184f2193386 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Queerspawn Digital Storytelling Project Subject The topic of the resource The Queerspawn Digital Storytelling Project was spearheaded by Sadie Epstein-Fine, creative and operational lead with community support from Makeda Zook in 2021. The goal of the project was to provide participants of all ages with one or more LGBTQ2+ parent(s) a way to explore aspects of the queerspawn experience through digital content creation. Over the course of 5 months, the Queerspawn project participants met virtually to share space and build community. They explored different ways to get into their stories and experiences. The project included 13 participants, who created video, art projects and installations, audio stories, podcasts and essays, exploring how their identities and life experiences have intersected with their queerspawn identity. The Queerspawn Project was made possible through the International Centre for Arts for Social Change’s FUTURES/Forward Program and The ArQuives: Canada’s LGBTQ2+ Archives. Description An account of the resource The fonds contains records from the Queerspawn Digital Storytelling Project dating from 1942 to 2021. It includes photographs, art installations, artwork, podcasts, audio stories, essays and video created by the thirteen project participants. Project participants were based out of Canada, the United States and Australia. Creator An entity primarily responsible for making the resource Queerspawn Digital Storytelling Project Source A related resource from which the described resource is derived Queerspawn Digital Storytelling Project fonds (F0196) Date A point or period of time associated with an event in the lifecycle of the resource 1942 - 2021 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Canada, United States, and Australia Sound A resource primarily intended to be heard. Examples include a music playback file format, an audio compact disc, and recorded speech or sounds. Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 6 minutes, 39 seconds Transcription Any written text transcribed from a sound In my mind, I have started hundreds of first words and opening sentences to this speech. How do I begin to distill down all that Krin, my one and only Krinny, meant to me, still means to me? Will describing how her plaid shirts, baggy cargo-jean shorts, and bright-red skater shoes ever capture the ways her spirit was both playful and butch? Will smells of lemon mixed with lavender ever recreated the calm experienced when I would bury my nose in her thick head of hair? I ask myself, how will I ever be able to express through words the completeness of the way her hugs felt, or the way in which her spontaneous laughter illuminated beauty, or the way her lightness of being and her silliness taught me strength? Words can never capture and hold these feelings as they once existed in the form of flesh and blood, but words can help me remember those feelings. Words can help me feel the emptiness that has been left in the wake of her absence, and at the same time, they can help me feel the fullness of the imprint she has left on me. Since Krin’s death, I’ve heard many times that her legacy lives on through me, yet I feel filled with more questions than answers about what that means. The responsibility feels too big for one person to carry because how can I ever live up to her in the way that she fought for justice, the way that she opened her heart to relative strangers, or the way that she built and surrendered herself with community? Thinking through these big questions, I feel the fullness of that imprint, and I’ve begun to think of her imprint on me also as an inheritance—I’ve inherited a great deal. Perhaps the most important gift I’ve inherited from Krinny is the ability to glimpse that almost imperceptible space-in-between. Krin was always playing with the space-in-between—whether it was the space between genders or the space between the physical and the spirit world—she was at ease in her curiosity of the unknown and at ease in her self-exploration. This space-in-between is where I most often feel her now in that uniquely omnipresent, uniquely Krinny way. It is a feeling that is intangible and fleeting. It is like the blurry space when the ocean meets the shore—not quite water and not quite land, but permanently moving. It feels like the space between heart and break. That Krin was a part of me is an understatement. I was also a part of her—I came from her. I came from her clear blue eyes: the colour of ocean. I came from the waters of her womb. I came from the smallest things that she found funny, and I came from within that big, ever-widening laugh—the one that catches you mid-thought, disarming and drawing you in like you are hearing it for the first time. My grief feels so big sometimes, so all-consuming. It’s like trying to catch the millions of stories, sounds, feelings, and wisdom that Krin often unexpectedly imparted in a laugh, in a question meant to spark a meaningful conversation, or in a random thought that popped into her brain. Krinny showed me the beauty of the unexpected, her “why the heck not?” quality taught me that challenging expectations and pursuing the unexpected were not something to be afraid of; instead, they were something to embrace as an opportunity for self-discovery. Today, she wanted us all to feel what we need to feel without expectations and without script. For me, I began to question why we try not to cry in these times of mourning. Is it because we want to protect others from the sharpness of our own grief? Or is it simply because when our hearts are this broken, we are afraid that we’ll never stop and that our hearts will keep breaking open over and over again? Krin wanted today to be appropriately sad. She knew that this would be the only way to move through the grief, to live it fully, to feel it fully, to welcome it, embrace it with ease and care—not too tightly, but just right. Krin told me in her last week on this physical earth that the grief would be extremely painful but that without the bad, we cannot have the good, or rather, we cannot appreciate the good. She helped me see the beauty in the seemingly small things without inflating the absolute shit with false hope, pretense, or platitude. These seemingly opposing forces of beauty and shit drove her activism and spirituality. Balancing these opposing energies was never about holding onto positivity as w way of masking the shittiness and injustices. Instead, it was about helping her remain curious about what is right in front of us waiting to be seen—whether this be the fullness of a sky bright with stars that have already died, or in the ways that being an effective activist means being open to all you may not intimately know or understand in the bones of your experience. When people talk about death, they often talk about dying words, but the last two days of Krin’s life, there was only breath. In the last two weeks, there was poetry. She spoke of making her “big transition” as “being able to listen to the stars in the sky and being able to hear the songs that they sing.” At first, her very last words felt meaningless—void of the poetry of previous weeks, and without the drama that Hollywood tells you is real. But as the weeks grow since her death, the more her last word stands out. She opened her eyes and said “hello” with all of the curiosity and openness of a child, but without any of the vulnerability. This word, her last word, has begun to take on form and meaning because of the way it captures her presence both in her life and in her death. On the night that Krin died, she walked into the full moon with an openness as purposeful as it was soft—full of love for her life, yet without hesitation of the unknown. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource In Between Heart and Break Subject The topic of the resource Queerspawn Description An account of the resource “In Between Heart and Break” was originally spoken at Makeda’s mom Krin Zook’s memorial service in 2016. It was then published in <i>Spawning Generations: Rants and Reflections on Growing Up with LGBTQ+ Parents</i>, which was co-edited by Zook and Sadie Epstein-Fine in 2018. “In Between Heart and Break” touches upon mourning and grief associated with losing a parent. Makeda Zook is a queerspawn who was born in 1986 to her two lesbian feminists moms Mary Annette Clough adn Krin Zook. She was raised in a mixed-race family surrounded by anti-oppression politics and her OWLs (Older Wiser Lesbians). She grew up in Toronto going to dyke marches. Creator An entity primarily responsible for making the resource Makeda Zook Source A related resource from which the described resource is derived Queerspawn fonds, F0196-01-009-001, The ArQuives Format The file format, physical medium, or dimensions of the resource 1 MPEG-4 audio file [00:06:39], Hard Drive Language A language of the resource English Relation A related resource <a href="https://digitalexhibitions.arquives.ca/exhibits/show/queerspawn-digital-storytellin/makeda-zook">Queerspawn Digital Storytelling Project, Makeda Zook</a> Date A point or period of time associated with an event in the lifecycle of the resource 2016 https://digitalexhibitions.arquives.ca/files/original/3aab77b1929c15680d2c38a89b793a6d.jpg c918905497bf7204e696a58fe06bb9cb Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Queerspawn Digital Storytelling Project Subject The topic of the resource The Queerspawn Digital Storytelling Project was spearheaded by Sadie Epstein-Fine, creative and operational lead with community support from Makeda Zook in 2021. The goal of the project was to provide participants of all ages with one or more LGBTQ2+ parent(s) a way to explore aspects of the queerspawn experience through digital content creation. Over the course of 5 months, the Queerspawn project participants met virtually to share space and build community. They explored different ways to get into their stories and experiences. The project included 13 participants, who created video, art projects and installations, audio stories, podcasts and essays, exploring how their identities and life experiences have intersected with their queerspawn identity. The Queerspawn Project was made possible through the International Centre for Arts for Social Change’s FUTURES/Forward Program and The ArQuives: Canada’s LGBTQ2+ Archives. Description An account of the resource The fonds contains records from the Queerspawn Digital Storytelling Project dating from 1942 to 2021. It includes photographs, art installations, artwork, podcasts, audio stories, essays and video created by the thirteen project participants. Project participants were based out of Canada, the United States and Australia. Creator An entity primarily responsible for making the resource Queerspawn Digital Storytelling Project Source A related resource from which the described resource is derived Queerspawn Digital Storytelling Project fonds (F0196) Date A point or period of time associated with an event in the lifecycle of the resource 1942 - 2021 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Canada, United States, and Australia Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Makeda Zook, Mary Annette Clough, and Krin Zook at Toronto Pride 1992 Subject The topic of the resource Queerspawn Source A related resource from which the described resource is derived Queerspawn fonds, F0196-01-009-002, The ArQuives Date A point or period of time associated with an event in the lifecycle of the resource 1992 Format The file format, physical medium, or dimensions of the resource 1 JPEG image, Hard Drive Relation A related resource <a href="https://digitalexhibitions.arquives.ca/exhibits/show/queerspawn-digital-storytellin/makeda-zook">Queerspawn Digital Storytelling Project, Makeda Zook</a> https://digitalexhibitions.arquives.ca/files/original/5d8960b3a65f377c201d61e786e51679.jpg c028695a2e6457e7ef78495996bdb251 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Queerspawn Digital Storytelling Project Subject The topic of the resource The Queerspawn Digital Storytelling Project was spearheaded by Sadie Epstein-Fine, creative and operational lead with community support from Makeda Zook in 2021. The goal of the project was to provide participants of all ages with one or more LGBTQ2+ parent(s) a way to explore aspects of the queerspawn experience through digital content creation. Over the course of 5 months, the Queerspawn project participants met virtually to share space and build community. They explored different ways to get into their stories and experiences. The project included 13 participants, who created video, art projects and installations, audio stories, podcasts and essays, exploring how their identities and life experiences have intersected with their queerspawn identity. The Queerspawn Project was made possible through the International Centre for Arts for Social Change’s FUTURES/Forward Program and The ArQuives: Canada’s LGBTQ2+ Archives. Description An account of the resource The fonds contains records from the Queerspawn Digital Storytelling Project dating from 1942 to 2021. It includes photographs, art installations, artwork, podcasts, audio stories, essays and video created by the thirteen project participants. Project participants were based out of Canada, the United States and Australia. Creator An entity primarily responsible for making the resource Queerspawn Digital Storytelling Project Source A related resource from which the described resource is derived Queerspawn Digital Storytelling Project fonds (F0196) Date A point or period of time associated with an event in the lifecycle of the resource 1942 - 2021 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Canada, United States, and Australia Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Painting Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Roots and Rainbows Subject The topic of the resource Queerspawn, Aviva Gale-Buncel Description An account of the resource "Roots and Rainbows" is a compilation of rainbow art by Gale-Buncle throughout the years. The art pieces were first featured in <i>Spawning Generations: Rants and Reflections on Growing Up With LGBTQ+ Parents,</i> edited by Sadie Epstein-Fine and Makeda Zook (Bradford: Demeter Press, 2018), p. 123. Creator An entity primarily responsible for making the resource Aviva Gale-Buncel Source A related resource from which the described resource is derived Queerspawn fonds, F0196-01-010-002, The ArQuives Date A point or period of time associated with an event in the lifecycle of the resource [201-?] Relation A related resource <a href="hhttps://digitalexhibitions.arquives.ca/exhibits/show/queerspawn-digital-storytellin/aviva-gale-buncel">Queerspawn Digital Storytelling Project, Aviva Gale Buncel</a> Format The file format, physical medium, or dimensions of the resource "Rainbows 1", JPEG image, 3.5MB, Hard Drive https://digitalexhibitions.arquives.ca/files/original/8399b0c0f05993d6d50f5b0818c444ea.pdf a3b756d87f60a05fb6f15d36b42c2572 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Queerspawn Digital Storytelling Project Subject The topic of the resource The Queerspawn Digital Storytelling Project was spearheaded by Sadie Epstein-Fine, creative and operational lead with community support from Makeda Zook in 2021. The goal of the project was to provide participants of all ages with one or more LGBTQ2+ parent(s) a way to explore aspects of the queerspawn experience through digital content creation. Over the course of 5 months, the Queerspawn project participants met virtually to share space and build community. They explored different ways to get into their stories and experiences. The project included 13 participants, who created video, art projects and installations, audio stories, podcasts and essays, exploring how their identities and life experiences have intersected with their queerspawn identity. The Queerspawn Project was made possible through the International Centre for Arts for Social Change’s FUTURES/Forward Program and The ArQuives: Canada’s LGBTQ2+ Archives. Description An account of the resource The fonds contains records from the Queerspawn Digital Storytelling Project dating from 1942 to 2021. It includes photographs, art installations, artwork, podcasts, audio stories, essays and video created by the thirteen project participants. Project participants were based out of Canada, the United States and Australia. Creator An entity primarily responsible for making the resource Queerspawn Digital Storytelling Project Source A related resource from which the described resource is derived Queerspawn Digital Storytelling Project fonds (F0196) Date A point or period of time associated with an event in the lifecycle of the resource 1942 - 2021 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Canada, United States, and Australia Text A resource consisting primarily of words for reading. Examples include books, letters, dissertations, poems, newspapers, articles, archives of mailing lists. Note that facsimiles or images of texts are still of the genre Text. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Rainbows [poem] Subject The topic of the resource Queerspawn, Aviva Gale-Buncel’ Description An account of the resource Aviva Gale-Buncel’s a poem entitled "Rainbows" Creator An entity primarily responsible for making the resource Aviva Gale-Buncel Source A related resource from which the described resource is derived Queerspawn fonds, F0196-01-010-001, The ArQuives Date A point or period of time associated with an event in the lifecycle of the resource [201-?] Relation A related resource <a href="hhttps://digitalexhibitions.arquives.ca/exhibits/show/queerspawn-digital-storytellin/aviva-gale-buncel">Queerspawn Digital Storytelling Project, Aviva Gale Buncel</a> Format The file format, physical medium, or dimensions of the resource "Rainbows Poem", 1 Microsoft Word Document, Hard Drive https://digitalexhibitions.arquives.ca/files/original/94242f330318f535f277e71f3a9c5594.png e315fbccaa74001aa39947104437fd2b Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Queerspawn Digital Storytelling Project Subject The topic of the resource The Queerspawn Digital Storytelling Project was spearheaded by Sadie Epstein-Fine, creative and operational lead with community support from Makeda Zook in 2021. The goal of the project was to provide participants of all ages with one or more LGBTQ2+ parent(s) a way to explore aspects of the queerspawn experience through digital content creation. Over the course of 5 months, the Queerspawn project participants met virtually to share space and build community. They explored different ways to get into their stories and experiences. The project included 13 participants, who created video, art projects and installations, audio stories, podcasts and essays, exploring how their identities and life experiences have intersected with their queerspawn identity. The Queerspawn Project was made possible through the International Centre for Arts for Social Change’s FUTURES/Forward Program and The ArQuives: Canada’s LGBTQ2+ Archives. Description An account of the resource The fonds contains records from the Queerspawn Digital Storytelling Project dating from 1942 to 2021. It includes photographs, art installations, artwork, podcasts, audio stories, essays and video created by the thirteen project participants. Project participants were based out of Canada, the United States and Australia. Creator An entity primarily responsible for making the resource Queerspawn Digital Storytelling Project Source A related resource from which the described resource is derived Queerspawn Digital Storytelling Project fonds (F0196) Date A point or period of time associated with an event in the lifecycle of the resource 1942 - 2021 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Canada, United States, and Australia Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Multiple drawings, paintings Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Roots and Rainbows Subject The topic of the resource Queerspawn, Aviva Gale-Buncel Description An account of the resource "Roots and Rainbows" is a compilation of rainbow art by Gale-Buncle throughout the years. The art pieces were first featured in <i>Spawning Generations: Rants and Reflections on Growing Up With LGBTQ+ Parents,</i> edited by Sadie Epstein-Fine and Makeda Zook (Bradford: Demeter Press, 2018), p. 123. Creator An entity primarily responsible for making the resource Aviva Gale-Buncel Source A related resource from which the described resource is derived Queerspawn fonds, F0196-01-010-003, The ArQuives Date A point or period of time associated with an event in the lifecycle of the resource [201-?] Relation A related resource <a href="hhttps://digitalexhibitions.arquives.ca/exhibits/show/queerspawn-digital-storytellin/aviva-gale-buncel">Queerspawn Digital Storytelling Project, Aviva Gale Buncel</a> Format The file format, physical medium, or dimensions of the resource "Rainbows 2", PNG image, 6MB, Hard Drive https://digitalexhibitions.arquives.ca/files/original/7a833a70573ca7fcacc3be879cc008b3.jpg 43c82e91fbfa44c80b239c03feaa7b4e Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Article in the Globe and Mail on October 16, 1993, about the Toronto Sun's sponsorship of the AIDS Walk for Life. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource AIDS Walk Toronto Subject The topic of the resource Items related to AIDS Walk Toronto and AIDS activism in Toronto. Date A point or period of time associated with an event in the lifecycle of the resource 1981-2021 Text A resource consisting primarily of words for reading. Examples include books, letters, dissertations, poems, newspapers, articles, archives of mailing lists. Note that facsimiles or images of texts are still of the genre Text. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Newspaper article Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Controversy hasn't hurt AIDS Walk Description An account of the resource Article in the Globe and Mail on October 16, 1993, about the Toronto Sun's sponsorship of the AIDS Walk for Life. Creator An entity primarily responsible for making the resource The Globe and Mail Source A related resource from which the described resource is derived AIDS WALK Canada - Toronto, Vertical File, The ArQuives Date A point or period of time associated with an event in the lifecycle of the resource 1993, October 16 Language A language of the resource English AIDS activism AIDS Walk Toronto Toronto https://digitalexhibitions.arquives.ca/files/original/477b834acedff29669a19224b3fb541d.jpg 1806d0121946e166081adeed1a515d6b Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Article in the Toronto Sun on September 15 2008 by Kwok Wong wherein Michael Mitchell reflects on the 20 year anniversary of the AIDS Walk for Life. Features photo of Chris Burke and John Crouch. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource AIDS Walk Toronto Subject The topic of the resource Items related to AIDS Walk Toronto and AIDS activism in Toronto. Date A point or period of time associated with an event in the lifecycle of the resource 1981-2021 Text A resource consisting primarily of words for reading. Examples include books, letters, dissertations, poems, newspapers, articles, archives of mailing lists. Note that facsimiles or images of texts are still of the genre Text. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Newspaper article Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource T.O. gives from the heart Description An account of the resource Article in the Toronto Sun on September 15 2008 by Kwok Wong wherein Michael Mitchell reflects on the 20 year anniversary of the AIDS Walk for Life. Features photo of Chris Burke and John Crouch. Creator An entity primarily responsible for making the resource The Toronto Sun Kwok Wong Source A related resource from which the described resource is derived AIDS Walk for Life 2008, Vertical File, The ArQuives Date A point or period of time associated with an event in the lifecycle of the resource 2008, September 15 Language A language of the resource English AIDS activism AIDS Walk Toronto Toronto https://digitalexhibitions.arquives.ca/files/original/c25f41a4467634fea3f3d1cb73004db5.jpg 2eed80bd241e3f1c4978c8514f45aa1a Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource postcard-sized advertisement for the AIDS Walk for Life on September 23, 2012 with red background that reads AIDS IS NOT OVER. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource AIDS Walk Toronto Subject The topic of the resource Items related to AIDS Walk Toronto and AIDS activism in Toronto. Date A point or period of time associated with an event in the lifecycle of the resource 1981-2021 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Advertisement Physical Dimensions The actual physical size of the original image 4” x 6” Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource AIDS is not over Description An account of the resource postcard-sized advertisement for the AIDS Walk for Life on September 23, 2012 with red background that reads AIDS IS NOT OVER. Creator An entity primarily responsible for making the resource AIDS Committee of Toronto Source A related resource from which the described resource is derived AIDs WALK Canada - Toronto, Vertical File, The ArQuives Date A point or period of time associated with an event in the lifecycle of the resource 2012 Language A language of the resource English AIDS activism AIDS Walk Toronto Toronto https://digitalexhibitions.arquives.ca/files/original/4aaa70f4c020e8fedae7dfb6cb6c0424.jpg 066750e0bfd2e0c49e4f6475120013cf Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource postcard-sized advertisement for the AIDS Walk for Life on September 19, 2004 with a blue background and a red AIDS ribbon. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource AIDS Walk Toronto Subject The topic of the resource Items related to AIDS Walk Toronto and AIDS activism in Toronto. Date A point or period of time associated with an event in the lifecycle of the resource 1981-2021 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Advertisement Physical Dimensions The actual physical size of the original image 4” x 6” Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource See you on church street Description An account of the resource postcard-sized advertisement for the AIDS Walk for Life on September 19, 2004 with a blue background and a red AIDS ribbon. Creator An entity primarily responsible for making the resource AIDS Committee of Toronto Source A related resource from which the described resource is derived AIDs WALK Canada - Toronto, Vertical File, The ArQuives Date A point or period of time associated with an event in the lifecycle of the resource 2004 Language A language of the resource English AIDS activism AIDS Walk Toronto Toronto https://digitalexhibitions.arquives.ca/files/original/66189781b5959bd80a20bc2bbb35e9f7.jpg a527e86fb1e2d582182040a338517fdf Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource letter from Executive Director of ACT (Charles M. Roy) to all Metro Toronto partners in 1997 about the Community Partners Fund. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource AIDS Walk Toronto Subject The topic of the resource Items related to AIDS Walk Toronto and AIDS activism in Toronto. Date A point or period of time associated with an event in the lifecycle of the resource 1981-2021 Text A resource consisting primarily of words for reading. Examples include books, letters, dissertations, poems, newspapers, articles, archives of mailing lists. Note that facsimiles or images of texts are still of the genre Text. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data letter Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Re Toronto AIDS walk Description An account of the resource letter from Executive Director of ACT (Charles M. Roy) to all Metro Toronto partners in 1997 about the Community Partners Fund. Creator An entity primarily responsible for making the resource AIDS Committee of Toronto Source A related resource from which the described resource is derived AIDS Walk 1997 Vertical File, The ArQuives Date A point or period of time associated with an event in the lifecycle of the resource 1997 Language A language of the resource English AIDS activism AIDS Walk Toronto Toronto