116 10 3176 https://digitalexhibitions.arquives.ca/files/original/b2add31bc79d6e4acfca9fccad23f4fd.wav 2f89c1a9f5d331d19aa37ff4429b997b Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Oral History Interview with Mikael Dam Subject The topic of the resource Pride and Remembrance Run, Pride and Remembrance Association Description An account of the resource Interview derived from the celebration of the Pride and Remembrance Run's 25th anniversary. Asked about how the run has changed through the years the interviewee has been involved, what makes the run so special, and about the run's future among other topics of discussion. Creator An entity primarily responsible for making the resource Pride and Remembrance Association, Colin Darling Date A point or period of time associated with an event in the lifecycle of the resource March 19, 2021 Contributor An entity responsible for making contributions to the resource Mikael Dam, Colin Darling Format The file format, physical medium, or dimensions of the resource .wav Language A language of the resource English Type The nature or genre of the resource Sound Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant ||||osm 1995-2021, Toronto, Canada https://digitalexhibitions.arquives.ca/files/original/21050c0e54633fe5d16c65bb0c9fe064.wav f8a373f6301982f2aa87e1882827108f Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Oral History Interview with Bernardine Perreira Subject The topic of the resource Pride and Remembrance Run, Pride and Remembrance Association Description An account of the resource Interview derived from the celebration of the Pride and Remembrance Run's 25th anniversary. Asked about how the run has changed through the years the interviewee has been involved, what makes the run so special, and about the run's future among other topics of discussion. Creator An entity primarily responsible for making the resource Pride and Remembrance Association, Colin Darling Date A point or period of time associated with an event in the lifecycle of the resource March 19, 2021 Contributor An entity responsible for making contributions to the resource Bernardine Perreira, Colin Darling Format The file format, physical medium, or dimensions of the resource .wav Language A language of the resource English Type The nature or genre of the resource Sound Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant ||||osm 1995-2021, Toronto, Canada https://digitalexhibitions.arquives.ca/files/original/ffd07f02e178f7da1ded8c2de4401dbe.wav a9ac1e2d96f326394d61a13c0ba06194 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Oral History Interview with Kathleen Wynne Subject The topic of the resource Pride and Remembrance Run, Pride and Remembrance Association Description An account of the resource Interview derived from the celebration of the Pride and Remembrance Run's 25th anniversary. Asked about how the run has changed through the years the interviewee has been involved, what makes the run so special, and about the run's future among other topics of discussion. Creator An entity primarily responsible for making the resource Pride and Remembrance Association, Colin Darling Date A point or period of time associated with an event in the lifecycle of the resource March 23, 2021 Format The file format, physical medium, or dimensions of the resource .wav Language A language of the resource English Type The nature or genre of the resource Sound Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant ||||osm 1996-2021, Toronto, Canada https://digitalexhibitions.arquives.ca/files/original/26ca17cd0a42d0cf37d7be921104fcc4.wav be4d47935ff961c5841463a26e98fbbf Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Oral History Interview with Chris Brohman Subject The topic of the resource Pride and Remembrance Run, Pride and Remembrance Association Description An account of the resource Interview derived from the celebration of the Pride and Remembrance Run's 25th anniversary. Asked about how the run has changed through the years the interviewee has been involved, what makes the run so special, and about the run's future among other topics of discussion. Creator An entity primarily responsible for making the resource Pride and Remembrance Association, Colin Darling Date A point or period of time associated with an event in the lifecycle of the resource April 9, 2021 Contributor An entity responsible for making contributions to the resource Chris Brohman, Colin Darling Format The file format, physical medium, or dimensions of the resource .wav Language A language of the resource English Type The nature or genre of the resource Sound Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant ||||osm 1996-2021, Toronto, Canada https://digitalexhibitions.arquives.ca/files/original/8b897861031700b99f8b070fd69fb8ab.jpg cd4c51e7806b3913b7507e717f4fdb46 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Letter written by Harvey Brownstone on 13 March 1989 to Gordon Wolfe, expressing disappointment that the Jewish Family and Child Service had withdrawn sponsorship for the open forum dealing with homosexuality and the Jewish family. Text A resource consisting primarily of words for reading. Examples include books, letters, dissertations, poems, newspapers, articles, archives of mailing lists. Note that facsimiles or images of texts are still of the genre Text. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Letter from Harvey Brownstone to Gordon Wolfe Subject The topic of the resource Jews religion Toronto Description An account of the resource Letter written by Harvey Brownstone on 13 March 1989 to Gordon Wolfe, expressing disappointment that the Jewish Family and Child Service had withdrawn sponsorship for the open forum dealing with homosexuality and the Jewish family. Source A related resource from which the described resource is derived Johnny Abush vertical file, The ArQuives Date A point or period of time associated with an event in the lifecycle of the resource 1989 Language A language of the resource English Jews religion Toronto https://digitalexhibitions.arquives.ca/files/original/a94ca55c286df603f98bf746db724f28.jpeg 6a9f0db772f05b515dcad7e7637c1104 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Flyer advertising Shabbat service at Chutzpah's new location on Cecil Street, showing the new location on a map. Text A resource consisting primarily of words for reading. Examples include books, letters, dissertations, poems, newspapers, articles, archives of mailing lists. Note that facsimiles or images of texts are still of the genre Text. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Welcome Shabbat Service Subject The topic of the resource Jews religion Toronto Description An account of the resource Flyer advertising Shabbat service at Chutzpah's new location on Cecil Street, showing the new location on a map. Source A related resource from which the described resource is derived Chutzpah vertical file, The ArQuives Date A point or period of time associated with an event in the lifecycle of the resource 1982-1991 Language A language of the resource English https://digitalexhibitions.arquives.ca/files/original/ca8bc64cecbe390c002d70c0b559028b.jpeg d4b0aa9f2d4ab008bcde33b89f8fae4a Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Flyer for the annual Passover Seder on April 20 on Bloor Street East, decorated by music notes and images of matzo and a chalice. Text A resource consisting primarily of words for reading. Examples include books, letters, dissertations, poems, newspapers, articles, archives of mailing lists. Note that facsimiles or images of texts are still of the genre Text. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Annual Passover Seder Subject The topic of the resource Jews religion Toronto Description An account of the resource Flyer for the annual Passover Seder on April 20 on Bloor Street East. Source A related resource from which the described resource is derived Chutzpah vertical file, The ArQuives Date A point or period of time associated with an event in the lifecycle of the resource 1982-1991 Language A language of the resource English https://digitalexhibitions.arquives.ca/files/original/3915d5bafbb162f17b6207896bdc880a.jpg c91b4277c9db0e2d2e9afbbe096917d4 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Queerspawn Digital Storytelling Project Subject The topic of the resource The Queerspawn Digital Storytelling Project was spearheaded by Sadie Epstein-Fine, creative and operational lead with community support from Makeda Zook in 2021. The goal of the project was to provide participants of all ages with one or more LGBTQ2+ parent(s) a way to explore aspects of the queerspawn experience through digital content creation. Over the course of 5 months, the Queerspawn project participants met virtually to share space and build community. They explored different ways to get into their stories and experiences. The project included 13 participants, who created video, art projects and installations, audio stories, podcasts and essays, exploring how their identities and life experiences have intersected with their queerspawn identity. The Queerspawn Project was made possible through the International Centre for Arts for Social Change’s FUTURES/Forward Program and The ArQuives: Canada’s LGBTQ2+ Archives. Description An account of the resource The fonds contains records from the Queerspawn Digital Storytelling Project dating from 1942 to 2021. It includes photographs, art installations, artwork, podcasts, audio stories, essays and video created by the thirteen project participants. Project participants were based out of Canada, the United States and Australia. Creator An entity primarily responsible for making the resource Queerspawn Digital Storytelling Project Source A related resource from which the described resource is derived Queerspawn Digital Storytelling Project fonds (F0196) Date A point or period of time associated with an event in the lifecycle of the resource 1942 - 2021 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Canada, United States, and Australia Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Fine art installation Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource "What Were They Feeding Me?" front tall view Subject The topic of the resource Queerspawn Description An account of the resource Installation view of "What Were They Feeding Me?" CONTENT WARNING: Mention of incest and sexual assault. Artist Statement: "I have inherited legacies of power and violence through my family’s lineage, intentionally crafted stories, and treasured decaying possessions. How can I truly learn my history and not calcify with shame? What did I consume when I was taught to value and devalue in the name of “normativity?” This is the making of generations of monsters. I excavate what was sewn into my skin. Veins of white supremacy. Seams of incest. I honor the entangled stitches, patterns of queer resistance and the balming salve of my mothers’ beeswax. Chords from my throat echo the dissonant sound of oppressor, survivor, perpetrator, interrupter, resistor.” <a href="https://player.vimeo.com/video/296775514">“What Were They Feeding Me?” Video of the creation process, installation, artist talk, and opening cleansing.</a> "Writing and publishing ”My Mom’s Are Getting Gay Married but I won’t be There,” for Spawning Generations, was a catalyst for me in my journey of healing. It led me to pursue a dream of centering art in my life and activism work. In 2018, I graduated from the Maryland Institute College of Art with a Masters in Fine Arts in Community Arts. My thesis, “What Were They Feeding Me” sprung directly from what was missing in my original essay, my family’s legacy of white supremacy. My thesis work investigated the ways in which I have inherited structures and legacies of power and trauma. By focusing on incest and white supremacy, I began to understand how these systems feed off of each other to create deeply rooted social disease and decay. This work was guided by the literature of many Black and anti racist white scholars before me, most prominently, James Baldwin. “This problem, which they invented in order to safeguard their purity, has made of them criminals and monsters, and it is destroying them.” -James Baldwin, I Am Not Your Negro, 1979' By researching and engaging with physical objects and stories from my own heritage, I explored how certain legacies have been passed-down and others have been silenced. I have dug, and will continue to sift, through generations of warped storytelling in an attempt to learn the true evil and destruction of whiteness. The artist statement, images and video of my thesis, show part of that exploration. An attempt to make visible and physical what my family has hidden away inside our bodies. By researching and engaging with physical objects and stories from my own heritage, I explored how certain legacies have been passed-down and others have been silenced. I have dug, and will continue to sift, through generations of warped storytelling in an attempt to learn the true evil and destruction of whiteness. The artist statement, images and video of my thesis, show part of that exploration. An attempt to make visible and physical what my family has hidden away inside our bodies. My mothers attended my thesis and we are seen at the end of the video embracing. This painful unearthing has led to a lot of growth, reckoning and healing. There is more to come." -- Robin Marquis "My Moms Are Getting Gay Married, but I Won't Be There" was published under the name Kimmi Lynne Moore in Spawning Generations: Rants and Reflections on Growing Up With LGBTQ+ Parents, edited by Sadie Epstein-Fine and Makeda Zook (Bradford: Demeter Press, 2018), p. 156-164. Creator An entity primarily responsible for making the resource Robin Marquis Date A point or period of time associated with an event in the lifecycle of the resource 2018 Format The file format, physical medium, or dimensions of the resource 1 JPEG image, Hard Drive Source A related resource from which the described resource is derived Queerspawn, F0196-01-001-001, The ArQuives Relation A related resource <a href="https://digitalexhibitions.arquives.ca/exhibits/show/queerspawn-digital-storytellin/queerspawn-2">Queerspawn Digital Storytelling Project, Robin Marquis</a> Type The nature or genre of the resource Installation Documentation https://digitalexhibitions.arquives.ca/files/original/3c9fba888d73036f8f7b7e8a15ac1f8f.JPG 0d5db90ea180df98f9134ead758d66d9 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Queerspawn Digital Storytelling Project Subject The topic of the resource The Queerspawn Digital Storytelling Project was spearheaded by Sadie Epstein-Fine, creative and operational lead with community support from Makeda Zook in 2021. The goal of the project was to provide participants of all ages with one or more LGBTQ2+ parent(s) a way to explore aspects of the queerspawn experience through digital content creation. Over the course of 5 months, the Queerspawn project participants met virtually to share space and build community. They explored different ways to get into their stories and experiences. The project included 13 participants, who created video, art projects and installations, audio stories, podcasts and essays, exploring how their identities and life experiences have intersected with their queerspawn identity. The Queerspawn Project was made possible through the International Centre for Arts for Social Change’s FUTURES/Forward Program and The ArQuives: Canada’s LGBTQ2+ Archives. Description An account of the resource The fonds contains records from the Queerspawn Digital Storytelling Project dating from 1942 to 2021. It includes photographs, art installations, artwork, podcasts, audio stories, essays and video created by the thirteen project participants. Project participants were based out of Canada, the United States and Australia. Creator An entity primarily responsible for making the resource Queerspawn Digital Storytelling Project Source A related resource from which the described resource is derived Queerspawn Digital Storytelling Project fonds (F0196) Date A point or period of time associated with an event in the lifecycle of the resource 1942 - 2021 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Canada, United States, and Australia Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Fine art installation Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource "What Were They Feeding Me?" inside full view Subject The topic of the resource Queerspawn Description An account of the resource Installation view of "What Were They Feeding Me?" CONTENT WARNING: Mention of incest and sexual assault. Artist Statement: "I have inherited legacies of power and violence through my family’s lineage, intentionally crafted stories, and treasured decaying possessions. How can I truly learn my history and not calcify with shame? What did I consume when I was taught to value and devalue in the name of “normativity?” This is the making of generations of monsters. I excavate what was sewn into my skin. Veins of white supremacy. Seams of incest. I honor the entangled stitches, patterns of queer resistance and the balming salve of my mothers’ beeswax. Chords from my throat echo the dissonant sound of oppressor, survivor, perpetrator, interrupter, resistor.” <a href="https://player.vimeo.com/video/296775514">“What Were They Feeding Me?” Video of the creation process, installation, artist talk, and opening cleansing.</a> "Writing and publishing ”My Mom’s Are Getting Gay Married but I won’t be There,” for Spawning Generations, was a catalyst for me in my journey of healing. It led me to pursue a dream of centering art in my life and activism work. In 2018, I graduated from the Maryland Institute College of Art with a Masters in Fine Arts in Community Arts. My thesis, “What Were They Feeding Me” sprung directly from what was missing in my original essay, my family’s legacy of white supremacy. My thesis work investigated the ways in which I have inherited structures and legacies of power and trauma. By focusing on incest and white supremacy, I began to understand how these systems feed off of each other to create deeply rooted social disease and decay. This work was guided by the literature of many Black and anti racist white scholars before me, most prominently, James Baldwin. “This problem, which they invented in order to safeguard their purity, has made of them criminals and monsters, and it is destroying them.” -James Baldwin, I Am Not Your Negro, 1979' By researching and engaging with physical objects and stories from my own heritage, I explored how certain legacies have been passed-down and others have been silenced. I have dug, and will continue to sift, through generations of warped storytelling in an attempt to learn the true evil and destruction of whiteness. The artist statement, images and video of my thesis, show part of that exploration. An attempt to make visible and physical what my family has hidden away inside our bodies. By researching and engaging with physical objects and stories from my own heritage, I explored how certain legacies have been passed-down and others have been silenced. I have dug, and will continue to sift, through generations of warped storytelling in an attempt to learn the true evil and destruction of whiteness. The artist statement, images and video of my thesis, show part of that exploration. An attempt to make visible and physical what my family has hidden away inside our bodies. My mothers attended my thesis and we are seen at the end of the video embracing. This painful unearthing has led to a lot of growth, reckoning and healing. There is more to come." -- Robin Marquis "My Moms Are Getting Gay Married, but I Won't Be There" was published under the name Kimmi Lynne Moore in Spawning Generations: Rants and Reflections on Growing Up With LGBTQ+ Parents, edited by Sadie Epstein-Fine and Makeda Zook (Bradford: Demeter Press, 2018), p. 156-164. Creator An entity primarily responsible for making the resource Robin Marquis Source A related resource from which the described resource is derived Queerspawn, F0196-01-001-002, The ArQuives Date A point or period of time associated with an event in the lifecycle of the resource 2018 Format The file format, physical medium, or dimensions of the resource 1 JPEG image, Hard Drive Type The nature or genre of the resource Installation Documentation Relation A related resource <a href="https://digitalexhibitions.arquives.ca/exhibits/show/queerspawn-digital-storytellin/queerspawn-2">Queerspawn Digital Storytelling Project, Robin Marquis</a> https://digitalexhibitions.arquives.ca/files/original/cd8cd296566058f730b8d9700609d15e.jpg f112dbb86b4d5280927587bb2223a2e8 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Queerspawn Digital Storytelling Project Subject The topic of the resource The Queerspawn Digital Storytelling Project was spearheaded by Sadie Epstein-Fine, creative and operational lead with community support from Makeda Zook in 2021. The goal of the project was to provide participants of all ages with one or more LGBTQ2+ parent(s) a way to explore aspects of the queerspawn experience through digital content creation. Over the course of 5 months, the Queerspawn project participants met virtually to share space and build community. They explored different ways to get into their stories and experiences. The project included 13 participants, who created video, art projects and installations, audio stories, podcasts and essays, exploring how their identities and life experiences have intersected with their queerspawn identity. The Queerspawn Project was made possible through the International Centre for Arts for Social Change’s FUTURES/Forward Program and The ArQuives: Canada’s LGBTQ2+ Archives. Description An account of the resource The fonds contains records from the Queerspawn Digital Storytelling Project dating from 1942 to 2021. It includes photographs, art installations, artwork, podcasts, audio stories, essays and video created by the thirteen project participants. Project participants were based out of Canada, the United States and Australia. Creator An entity primarily responsible for making the resource Queerspawn Digital Storytelling Project Source A related resource from which the described resource is derived Queerspawn Digital Storytelling Project fonds (F0196) Date A point or period of time associated with an event in the lifecycle of the resource 1942 - 2021 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Canada, United States, and Australia Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Fine art installation Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource "What Were They Feeding Me?" Wound View of Moore Grandmother Subject The topic of the resource Queerspawn Description An account of the resource Installation view of "What Were They Feeding Me?" CONTENT WARNING: Mention of incest and sexual assault. Artist Statement: "I have inherited legacies of power and violence through my family’s lineage, intentionally crafted stories, and treasured decaying possessions. How can I truly learn my history and not calcify with shame? What did I consume when I was taught to value and devalue in the name of “normativity?” This is the making of generations of monsters. I excavate what was sewn into my skin. Veins of white supremacy. Seams of incest. I honor the entangled stitches, patterns of queer resistance and the balming salve of my mothers’ beeswax. Chords from my throat echo the dissonant sound of oppressor, survivor, perpetrator, interrupter, resistor.” <a href="https://player.vimeo.com/video/296775514">“What Were They Feeding Me?” Video of the creation process, installation, artist talk, and opening cleansing.</a> "Writing and publishing ”My Mom’s Are Getting Gay Married but I won’t be There,” for Spawning Generations, was a catalyst for me in my journey of healing. It led me to pursue a dream of centering art in my life and activism work. In 2018, I graduated from the Maryland Institute College of Art with a Masters in Fine Arts in Community Arts. My thesis, “What Were They Feeding Me” sprung directly from what was missing in my original essay, my family’s legacy of white supremacy. My thesis work investigated the ways in which I have inherited structures and legacies of power and trauma. By focusing on incest and white supremacy, I began to understand how these systems feed off of each other to create deeply rooted social disease and decay. This work was guided by the literature of many Black and anti racist white scholars before me, most prominently, James Baldwin. “This problem, which they invented in order to safeguard their purity, has made of them criminals and monsters, and it is destroying them.” -James Baldwin, I Am Not Your Negro, 1979' By researching and engaging with physical objects and stories from my own heritage, I explored how certain legacies have been passed-down and others have been silenced. I have dug, and will continue to sift, through generations of warped storytelling in an attempt to learn the true evil and destruction of whiteness. The artist statement, images and video of my thesis, show part of that exploration. An attempt to make visible and physical what my family has hidden away inside our bodies. By researching and engaging with physical objects and stories from my own heritage, I explored how certain legacies have been passed-down and others have been silenced. I have dug, and will continue to sift, through generations of warped storytelling in an attempt to learn the true evil and destruction of whiteness. The artist statement, images and video of my thesis, show part of that exploration. An attempt to make visible and physical what my family has hidden away inside our bodies. My mothers attended my thesis and we are seen at the end of the video embracing. This painful unearthing has led to a lot of growth, reckoning and healing. There is more to come." -- Robin Marquis "My Moms Are Getting Gay Married, but I Won't Be There" was published under the name Kimmi Lynne Moore in Spawning Generations: Rants and Reflections on Growing Up With LGBTQ+ Parents, edited by Sadie Epstein-Fine and Makeda Zook (Bradford: Demeter Press, 2018), p. 156-164. Creator An entity primarily responsible for making the resource Robin Marquis Source A related resource from which the described resource is derived Queerspawn, F0196-01-001-003, The ArQuives Date A point or period of time associated with an event in the lifecycle of the resource 2018 Format The file format, physical medium, or dimensions of the resource 1 JPEG image, Hard Drive Relation A related resource <a href="https://digitalexhibitions.arquives.ca/exhibits/show/queerspawn-digital-storytellin/queerspawn-2">Queerspawn Digital Storytelling Project, Robin Marquis</a>