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                <text>Jovette Marchessault (1938-2012)</text>
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                <text>Writer, playwright, sculptor and visual artist Jovette Marchessault is a self-educated daughter of a working-class Quebecois family. Jovette began her career as a sculptor, attracting international attention with her multimedia Earth Mothers series, exhibited in 25 solo exhibitions in North America and Europe. She followed this triumph with two novels; Like a Child of the Earth and Mother of the Gross (trans. Yvonne Klein). The publication in 1980 of Lesbian Triptych, her trio of radical works, caused a backlash in Quebec that threatened to jeopardize her literary reputation. Her many brilliant theatre plays include The Saga of the Wet Hens, which has been performed across Canada, and The Night Cow, which has been performed throughout North America. Jovette is currently completing a new play called Madame Blavetsky, Spirite. (1998 Induction Statement)&#13;
&#13;
Écrivaine, dramaturge, sculpteure et artiste visuelle.</text>
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                <text>Tim McCaskell (1951 - )</text>
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                <text>Tim McCaskell, who worked in Toronto schools doing anti-racism and anti-homophobia work with students for almost twenty years, is a long-time AIDS activist. In 1988, he was a founding member of AIDS Action Now (AAN), a group formed to raise the public's awareness of AIDS issues through highly public actions and campaigns. In a 1996 letter to AAN supporters, McCaskell explained why continued action was essential. He said: "We need to tell the government that Canadians are concerned about AIDS. We need to remind them that this epidemic is not over. We need to tell them that now, as new treatments become available and there is once again hope for a vaccine, it would be criminal to abandon our efforts and unnecessarily lose more lives to this scourge." (1998 Induction Statement)&#13;
&#13;
Membre du collectif qui publia Body Politic, membre du Comité pour le droit à la vie privée, fondateur de Simon Nkoli Anti-Apartheid Committee, cofondateur de AIDS ACTION NOW; il a travaillé dans les écoles secondaire de Toronto pendant une vingtaine d'années afin de combattre le racisme et l'homophobie dans le système scolaire.</text>
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                <text>Mary Meigs was born in Philadelphia in 1917 and grew up in Washington, D.C. She obtained a B.A. from Bryn Mawr College in 1939, where she became an instructor in English and creative writing. As a writer, she is best known for The Medusa Head (which chronicled a stormy, three-way lesbian relationship involving herself, her long-time lover Marie Claire Blais, and an unidentified woman), Lily Briscoe: A Self Portrait and In the Company of Strangers, for which she won the QSPELL Award. In the Company of Strangers recounts her experience as a cast member in the National Film Board's production of the same-titled film; it is also a perceptive meditation on time and relationships written by someone who has known both. A visual artist as well as a writer, Ms. Meigs studied painting at the Art Students' League from 1945-47 and has had one-woman shows in Boston, New York, Paris and Montreal. She lived in Montreal, surrounded by the art which she has created and her garden, another of her passions. (2002 Induction Statement)&#13;
&#13;
Auteure de The Medusa Head, Lily Briscoe: A Self Portrait et de In the Company of Strangers; artiste qui s'est produite en solo à Boston, New York, Paris et Montréal.</text>
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                <text>Manitoba-born actor and writer Billy Merasty comes from a distinguished line of First Nations artists. His uncles, the late ballet dancer Renee Highway and the writer Tomson Highway provided gay-positive role models for the young Two-Spirited man growing up in a homophobic small town in northern Manitoba. Merasty's involvement with Toronto's Native Earth Performing Arts Incorporated provided him with an artistic context in which he was accepted as a gay artist by other Aboriginal people. He is currently in the TV series Liberty Street and wrote the well-received play, Fireweed. Reflecting on his life, Merasty said, "I've always been open. Although a lot of people have told me not to be so gay if I want to be an actor, that it will limit me. I know that it has, but I'm not limiting myself, it's other people who limit me" (ICON February 1995). (1998 Induction Statement)&#13;
&#13;
Comédien et auteur.</text>
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                <text>Medium: pencil on mylar&#13;
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                <text>Robin Metcalfe (1954- )</text>
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                <text>Robin Metcalfe is a Halifax-based curator, writer, poet and longtime gay and lesbian rights activist. From 1987 to 1992, he was involved in Lesbian and Gay Rights Nova Scotia, which successfully lobbied the Nova Scotia government for the explicit recognition of sexual orientation as a prohibited grounds for discrimination in the Nova Scotia Human Rights Act, the first provincial jurisdiction to do so. Robin Metcalfe gives our communities a somber challenge when he states: "We are cursed with short memories. We think that the relative freedoms we now take for granted have been long with us. They have not. The ice age was only a short time ago. If the political weather becomes a few degrees cooler, it may come back. Some of us have places to run to, back to the church, to our collars, to our closet. Some of us have no place to retreat to. We can only stand and fight" (Outrage, May 1985). (1998 Induction Statement)&#13;
&#13;
Conservateur d'art, auteur, poète et militant de longue date pour les droits des gais et des lesbiennes.</text>
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                <text>Storme Arden</text>
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                <text>Peter Millard (1932-2001)</text>
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                <text>Peter Millard was an academic, an art writer, a collector and a champion of human rights. Born in Clevendon, Wales, Peter received his higher education at McGill and Oxford before accepting an appointment in the Department of English at the University of Saskatchewan in Saskatoon in 1962. He specialized in the literature and culture of the 18th century and was the author of many articles, papers and two books. Possessing "elegant manners, exquisite taste, and good politics", he was a man of diverse interests, an avid art collector and a fierce defender of the less fortunate and unfairly wronged.&#13;
&#13;
He studied and wrote widely about the visual arts, was a mentor to artists, a patron of the arts in Saskatoon, and a major donor to Prairie art galleries. He served his university in many ways, including chair of the Faculty Association, the Department of English, and the Art Committee, and don of residence. In all his positions, he exuded a rare combination of graciousness, wisdom, kindness and utter fearlessness.&#13;
&#13;
At his memorial it was noted his influence "was decisive in the cause of human rights across Canada". In the early 1970s he embraced the emerging gay community in Saskatoon, helped found the Gay Community Centre in the city, then the Gay Academic Union at the university, and taught its first course in gay and lesbian literature. He was a leader in most of the early battles to advance equal rights for gays and lesbians in the province, and president in 1980-1981 of the Saskatchewan Association on Human Rights. At the time of his death he was co-chair of the board of Saskatoon's Gay and Lesbian Health Services, an organization he had long supported.&#13;
&#13;
Peter Millard died in Saskatoon on 8 December 2001 after a short battle with a rare form of leukemia. (2003 Induction Statement)&#13;
&#13;
Universitaire, écrivain sur les arts, collectionneur, champion des droits de la personne en Saskatchewan, cofondateur du Centre communautaire gai de Saskatoon et de Gay Academic Union à l'Université de la Saskatchewan.</text>
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                <text>Bonte Minnema (1976- )</text>
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                <text>I'm a UofT Homecoming Queen, Chair &amp; Co-founder of North America's first LGBTQ Scouting group (I was a Chief Scout in my day), Co-chair of the lesbian gay bi youth line, sometimes activist with various community/provincial/national groups &amp; other times - just a happy go lovely gay boy... I'm a campy queeny uncompromising celebrational fairy. Effeminate homosexual women's studies student who believes power is distinctly fem. Its fun watching people (usually het) squirm when they try to figure out my gender. I tell them not to bother, haven't figured it out either. I'm really sick &amp; tired of flamer bashing &amp; gender typing... &amp; being told I'm a stereotype. How many fem fag's organize urban campouts, know how to fix tractors &amp; teach a social justice based Sunday school? Okay, so its probably not a stretch for superfags. That's what my Dutch cousins call me -Super Homo- like Popeye, I eat my spinach.&#13;
&#13;
Rural communities pride themselves on being 'all the same.' I might be able to fix tractors (amongst other butch farm chores) but I take pride in being different, it often exposes peoples' hypocrisies. Being all the same, particularly in a rural context, is really racist- so I'm still in exile. That's a mixed blessing, I can be who I am &amp; I participate in lots of great social justice, anti-racist, queer-positive, woman-positive activism... and visit the country (with a car full of like-minded folk) every once in awhile.... I have to remember they have the right to be wrong, I just hope they know how that makes me &amp; others feel. That will lead to change. &#13;
&#13;
"The hottest places in hell are reserved for those who, in times of great moral crisis, maintain their neutrality" Dante (1265-1321) (Bonte Minnema, Toronto, 2000 Induction Statement)&#13;
&#13;
Cofondateur de la première troupe gaie et lesbienne des Scouts du Canada.</text>
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Artiste et écrivain.</text>
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Conseiller municipal ouvertement gai à Ottawa.</text>
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