1
10
14
-
https://digitalexhibitions.arquives.ca/files/original/cbecb93f0820acee62a45ab22ce2f132.png
626fda0b78f7a7e2e43a8127600a0aa8
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
LGBTQ+ Oral Histories
Description
An account of the resource
A selection of oral histories from The ArQuives collections.
Date
A point or period of time associated with an event in the lifecycle of the resource
1970-2005
Format
The file format, physical medium, or dimensions of the resource
Cassette tapes, digital video
Language
A language of the resource
English
Contributor
An entity responsible for making contributions to the resource
LGBTQ Oral History Digital Collaboratory (Elspeth Brown, PI)
Canadian Lesbian and Gay Archives
Hyperlink
A link, or reference, to another resource on the Internet.
URL
<iframe src="https://player.vimeo.com/video/254203209" frameborder="0" width="640" height="360"></iframe>
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Oral History with Lezlie Lee Kam, PT 2 (16 June 2017)
Subject
The topic of the resource
LGBTQ seniors, police violence, Queers of colour, QTPOC, Alcoholism, Pride
Description
An account of the resource
Lezlie Lee Kam is a 55+, gender-mysterious, world majority person and dyke; a Trini; a Carib; Brown; and a Callaloo-a mix of Chinese, Carib, Indian, Portuguese, and Venezuelan. She was born in Trinidad and left for Toronto in 1970. In this interview, Lezlie discusses her relationship with the police in the 1970s and 1980s; in particular, she describes being the recipient of racist police violence in 1989, as well as police violence against trans women. Discusses the presence of lesbians of colour in Pride, c. 1991-1992, with the organizations Lesbians of Colour (1991) and Proud and Visible Coalition (with Anthony Mohamad, 1992). 1993-1998: World Majority Lesbians; 1999 Queer Women of Colour. 1999, they rented a big truck to put a sign up that said 'stop police violence; stop the criminalization of people of color), but the police tried to make them take the sign down. They refused, and took the sign into the parade; as a result, the police withdrew their contact with Grand and Toy, which had underwritten the truck. She discusses trying to get funding from Pride for people of colour at 1999 Pride, and having to deal with racism on the Pride organizing committee; in response, they demanded a community meeting at the 519. Discusses how Pelau Masquerade emerged after the Proud and Visible Coalition. Discusses reaching out to Caribana Mas camp people to have connections with Pride. Describes how central Mas was to her when she was a child (her dad was a band leader, and her house was a central space for Carnival preparations).
A large section of this interview discussed alcoholism. Discusses her work with LGBTQ seniors, and how a black women at one of the sites accused her of sexual harassment, sending her into a health downward spiral. She began to drink more to cope with the stress; eventually she lost her job from drinking and went on EI. 2000-2006 drinking seriously; went through all her savings, and almost lost her house. Dec 31, 2006: brother and sister-in-law took her to the hospital. In the process of going to the hospital, she passed out and went into a coma for two months; they thought she'd be a vegetable if she ever woke up. When she woke up, she went to Bridgeport for 4 months for intensive physio and occupational therapy. The medication she went on caused her to gain 50 pounds, impacting her body image. Describes her decision to go public with her history of alcoholism and why, as well as her recovery process. Now she is involved with Women's Health and Women's Hands, a women of colour health clinic. Has become involved with the Senior Pride Network, as well as Indigenous activism.
Discusses 1990s club nights for queer women of colour in the city, including organizing monthly club nights on Church Street, such as "Island Spice," focused on women of colour (1999), as well as organizing at the Red Spot, which was owned by a Sri Lankan man. Discusses current queer of colour club spaces, such as the Steady, the Beaver, Glad Day;
Discusses her history of activism having to do with violence against women in the 1980s, with a focus on immigrant and refugee women of colour. This focus was controversial for the white anti-violence feminists. Lezlie eventually worked in this field for about 10 years. She describes developing a business having to with anti-violence training in same-sex contexts.
Discusses her work as a volunteer with seniors at Bridgepoint, where she often does manicures. Eventually 5 women have come out to her, but they're all closeted now that they are in care. Lezlie discusses how she's been attacked by women for using the women's restroom, because some of the residents see her as a man. She worked for over a year to get trans positive materials in the bathroom. Now she is working on Pride, and getting seniors' programming there. Describes the current politics in Pride around black activism and Black Lives Matter. Describes her experience with Desh Pardesh, where she wasn't considered Indo or South Asian enough.
Creator
An entity primarily responsible for making the resource
Brown, Elspeth;
Lee Kam, Lezlie
Publisher
An entity responsible for making the resource available
Canadian Lesbian and Gay Archives
Date
A point or period of time associated with an event in the lifecycle of the resource
1980s-2010s
Format
The file format, physical medium, or dimensions of the resource
mp4
Language
A language of the resource
English
Type
The nature or genre of the resource
video
Identifier
An unambiguous reference to the resource within a given context
Oral History with Lezlie Lee Kam, PT 2 (16 June 2017)
bars
Caribbean-Canadian
Chinese
dyke
lesbian
Lesbian Organization of Toronto; sex worker; the Rose; transwomen; hate crimes; Black Lives Matter; Lesbians of Colour; Proud and Visible Coalition; World Majority Lesbians; Pride; Latino; Club Manhattan; Soca; Jamea Zuberi; Mas; Carnival; seniors; sexual
LOOT
police
racism
Trinidad
-
https://digitalexhibitions.arquives.ca/files/original/e3f3ec7042499edba31c38e020b3b268.png
3924e96eae46fc5131c7161bbe97c8c7
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
LGBTQ+ Oral Histories
Description
An account of the resource
A selection of oral histories from The ArQuives collections.
Date
A point or period of time associated with an event in the lifecycle of the resource
1970-2005
Format
The file format, physical medium, or dimensions of the resource
Cassette tapes, digital video
Language
A language of the resource
English
Contributor
An entity responsible for making contributions to the resource
LGBTQ Oral History Digital Collaboratory (Elspeth Brown, PI)
Canadian Lesbian and Gay Archives
Hyperlink
A link, or reference, to another resource on the Internet.
Interviewer
The person(s) performing the interview
Brown, Elspeth
Interviewee
The person(s) being interviewed
Lee Kam, Lezlie
Location
The location of the interview
Toronto, Ontario, Canada
Original Format
The type of object, such as painting, sculpture, paper, photo, and additional data
moving image
Duration
Length of time involved (seconds, minutes, hours, days, class periods, etc.)
1 hr 20 minutes (PT 1)
URL
<iframe src="https://player.vimeo.com/video/253802550" frameborder="0" width="640" height="360"></iframe>
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Oral History with Lezlie Lee Kam, PT 1 (27 April, 2017)
Creator
An entity primarily responsible for making the resource
Brown, Elspeth;
Lee Kam, Lezlie
Publisher
An entity responsible for making the resource available
Canadian Lesbian and Gay Archives
Date
A point or period of time associated with an event in the lifecycle of the resource
1970s-1980s
Contributor
An entity responsible for making contributions to the resource
Lee Kam, Lezlie
Brown, Elspeth
Rights
Information about rights held in and over the resource
CLGA
Format
The file format, physical medium, or dimensions of the resource
mp4
Language
A language of the resource
English
Type
The nature or genre of the resource
video
Subject
The topic of the resource
dyke; lesbian; black power; Carib; Callaloo; world majority; activism; LOOT; Lesbian Organization of Toronto; Carnaval; Mas; migration; immigration; racism; Caribbean-Canadian; Trinidad; butch fem; lesbian separatism; Michigan Womyn's Music Festival; transphobia; coming out; Catholicism; York University; 1970s
Description
An account of the resource
This is the first of two oral histories with Lezlie Lee Kam, a 55+, gender-mysterious, world majority person and dyke; a Trini; a Carib; Brown; and a Callaloo-a mix of Chinese, Carib, Indian, Portuguese, and Venezuelan. She was born in Trinidad and left for Toronto in 1970. In this interview, Lezlie discusses her childhood in Trinidad with her 3 brothers with her working-class father and her more well-off mom; at age 11, when she was beginning her education in a convent school, her parents separated. Lezlie stayed with her father and 3 brothers, while her mother moved to Toronto in 1968. Lezlie was involved with Mas, as was her dad, who was a band leader; she's continued to be involved with Carnaval since. When Lezlie was 16, she moved to Toronto to be with her mother in Toronto, despite not wanting to leave. Discusses her attraction to girls from a young age, while also at the same time dating boys. Two of her brothers emigrated in 1976; she describes the debates she had with her mother around her mother's expectations that she do gendered labour in the household, while her brothers did nothing.
Lezlie was only one of four non-white kids in high school in 1970: she describes racism, being called a 'monkey' by the boys, and her (humorous) response, her accent, and her efforts to modulate it once in Canada. Lezlie came out, to herself, while she was at York U 1972-1976. She discusses radical student politics at York, and the expectation that all non-whites sit at the 'black table' in solidarity with black power. She learned about Cuba, South American indigenous issues, and Caribbean literature.
Discusses her first relationship with a woman, Sonia, a mixed race Trinidadian who attended Ryerson, and the physical passion that ensued after figuring it all out for the first time; they were together for 3 years, when they were caught kissing, and Sonia's family shipped her back to Trinidad.
Lezlie describes her activism with LOOT, the Lesbian Organization of Toronto (LOOT), in the late 1970s. She worked at the coffee house, on the phones, and wanted to be a person of colour for other lesbians who looked like her. Describes her work at LOOT and encountering butch-fem roles and lesbian separatism in the contemporary scene. Race and racism was not a topic of discussion among the white LOOT activists. Discusses the transphobia she encountered at the Michigan Womyn's Musical Festival, as well as how very few other women of color were there.
Night life, late 1970s: describes the 4 women of colour in the scene, who went to The Studio, a bar where gay men and lesbians mixed. They stood out, and became disco queens; they checked out the Camu (sp?) on Trinity, near Eastern. The Camu was a working class butch-fem bar, with tuxedos and ball gowns, the whole thing; they were the only people of colour. Discusses her own sense of gender then, and more recently. She was never butch or fem herself.
This interview continues in a second interview on June 16, 2017.
butch fem
Callaloo
Carib
Caribbean
Carnaval
coming out
dyke
immigration
lesbian
Lesbian Organization of Toronto
lesbian separatism
LOOT
Mas
Michigan Womyn's Music Festival
migration
oral history
racism
Toronto
transphobia
Trinidad
York University
-
https://digitalexhibitions.arquives.ca/files/original/60d4fa1dee42f8603fefdb11a9e9ec9d.pdf
d215c94d5fff529c2b9093bb44ac45ff
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Not a Place on the Map: The Desh Pardesh Project
Subject
The topic of the resource
diaspora, artists, South Asian, people of colour, festivals, identity, racism
Description
An account of the resource
Toronto’s Desh Pardesh festival (1988–2001) was a multidisciplinary arts festival that showcased underrepresented and marginalized voices within the South Asian diaspora. These oral history interviews with artists and organizers involved in the festival were created by the South Asian Visual Arts Centre in 2016.
Creator
An entity primarily responsible for making the resource
South Asian Visual Arts Centre
Date
A point or period of time associated with an event in the lifecycle of the resource
2016
Rights
Information about rights held in and over the resource
South Asian Visual Arts Centre
Relation
A related resource
CLGA holds additional records related to Desh Pardesh and Khush
Format
The file format, physical medium, or dimensions of the resource
PDF, WAV
Language
A language of the resource
English
Type
The nature or genre of the resource
Sound
Identifier
An unambiguous reference to the resource within a given context
Add CLGA accession # once donated
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
1988–2001, Toronto, South Asia
Contributor
An entity responsible for making contributions to the resource
LGBTQ Oral HIstory Digital Collaboratory, SAVAC
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Oppression (Sketch)
Subject
The topic of the resource
oppression, racism
Description
An account of the resource
This image depicts a sketch found in the Desh Pardesh archives that discusses oppression and breaking boundaries.
Rights
Information about rights held in and over the resource
CLGA
Format
The file format, physical medium, or dimensions of the resource
PDF
Language
A language of the resource
English
Type
The nature or genre of the resource
Still Image
breaking silences
Desh Pardesh
oppression
racism
SAVAC
South Asian Visual Arts Centre
-
https://digitalexhibitions.arquives.ca/files/original/865221c1af9eb78788508ff99713dbc5.png
6d3f47f652f9c1808240a65dec0e7ab9
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Not a Place on the Map: The Desh Pardesh Project
Subject
The topic of the resource
diaspora, artists, South Asian, people of colour, festivals, identity, racism
Description
An account of the resource
Toronto’s Desh Pardesh festival (1988–2001) was a multidisciplinary arts festival that showcased underrepresented and marginalized voices within the South Asian diaspora. These oral history interviews with artists and organizers involved in the festival were created by the South Asian Visual Arts Centre in 2016.
Creator
An entity primarily responsible for making the resource
South Asian Visual Arts Centre
Date
A point or period of time associated with an event in the lifecycle of the resource
2016
Rights
Information about rights held in and over the resource
South Asian Visual Arts Centre
Relation
A related resource
CLGA holds additional records related to Desh Pardesh and Khush
Format
The file format, physical medium, or dimensions of the resource
PDF, WAV
Language
A language of the resource
English
Type
The nature or genre of the resource
Sound
Identifier
An unambiguous reference to the resource within a given context
Add CLGA accession # once donated
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
1988–2001, Toronto, South Asia
Contributor
An entity responsible for making contributions to the resource
LGBTQ Oral HIstory Digital Collaboratory, SAVAC
Hyperlink
A link, or reference, to another resource on the Internet.
URL
<iframe src="https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/325282645&color=%23ff5500&inverse=false&auto_play=false&show_user=true" frameborder="no" scrolling="no" width="100%" height="20"></iframe>
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Oral History with Leila Sujir (2014)
Subject
The topic of the resource
Identity Politics, Desh Pardesh, Oral History, Immigration, India Hearts Beat, Leile Sujir, arts festival, Dreams of a Night Cleaner, Quebec
Description
An account of the resource
Leila Sujir is an artist that first worked at Desh Pardesh in the late 1980s. Her work India Hearts Beat screened in Toronto, and she was invited to discuss it. She felt that Desh was a space of both validation and contention. She argues it gave emerging artists a space to present their work and gave a sense of importance to it, which was difficult in the racialized landscape of 1980s Toronto. Sujir also cites that the cultural context of Desh presented an overarching identity politics that concerned the population of Toronto. She felt that there was contention between groups, there was a competition of oppression and the rise of an “identity minefield”. Sujir also discusses her work Dreams of a Night Cleaner to conceptualize how physicality and space was a major component of her artistic work. She concludes the interview by discussing the erasure of oppression in her home province, Quebec and discusses briefly a new project in the UK.
Creator
An entity primarily responsible for making the resource
South Asian Visual Arts Centre (SAVAC)
Date
A point or period of time associated with an event in the lifecycle of the resource
2014-11-28
Contributor
An entity responsible for making contributions to the resource
Anna Malla
LGBTQ Oral History DIgital Collaboratory (Elspeth Brown, PI)
Rights
Information about rights held in and over the resource
Creative Commons Attribution-NonCommercial-ShareAlike 3.0 Unported License
Format
The file format, physical medium, or dimensions of the resource
PDF, WAV
Language
A language of the resource
English
Type
The nature or genre of the resource
Sound, Text
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
||||osm
1980s Toronto, 2000s Quebec
Desh Pardesh
diaspora
Dreams of the Night Cleaners
Identity politics
immigration
memory
oral history
racism
Rosemary Brown
SAVAC
South Asian
South Asian Visual Arts Centre
Tony Morrison
Toronto
-
https://digitalexhibitions.arquives.ca/files/original/5c9b41fc2f8f70f78ab59f7f97388efd.pdf
beffe90058d37b84dd06a45099a93624
https://digitalexhibitions.arquives.ca/files/original/99342a746cc0880f03f48f23dfe5174c.png
8a001cd2ce248fa12ca2970753dc5dd4
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Not a Place on the Map: The Desh Pardesh Project
Subject
The topic of the resource
diaspora, artists, South Asian, people of colour, festivals, identity, racism
Description
An account of the resource
Toronto’s Desh Pardesh festival (1988–2001) was a multidisciplinary arts festival that showcased underrepresented and marginalized voices within the South Asian diaspora. These oral history interviews with artists and organizers involved in the festival were created by the South Asian Visual Arts Centre in 2016.
Creator
An entity primarily responsible for making the resource
South Asian Visual Arts Centre
Date
A point or period of time associated with an event in the lifecycle of the resource
2016
Rights
Information about rights held in and over the resource
South Asian Visual Arts Centre
Relation
A related resource
CLGA holds additional records related to Desh Pardesh and Khush
Format
The file format, physical medium, or dimensions of the resource
PDF, WAV
Language
A language of the resource
English
Type
The nature or genre of the resource
Sound
Identifier
An unambiguous reference to the resource within a given context
Add CLGA accession # once donated
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
1988–2001, Toronto, South Asia
Contributor
An entity responsible for making contributions to the resource
LGBTQ Oral HIstory Digital Collaboratory, SAVAC
Hyperlink
A link, or reference, to another resource on the Internet.
URL
<iframe src="https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/324996606&color=%23ff5500&inverse=false&auto_play=false&show_user=true" frameborder="no" scrolling="no" width="100%" height="20"></iframe>
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Oral History Interview with Heidi McKenzie (2014)
Subject
The topic of the resource
Cultural Essentialism, Racism, Bi-racial
Description
An account of the resource
Heidi McKenzie was the co-coordinator of the Desh Pardesh festival alongside Steve Pereira for a year and a half, beginning in 1994. She discusses in this oral history interview the notion of multiculturalism in Desh discourse, representation in the board of Desh Pardesh and her experience as a bi-racial person in the Desh environment. She touches on cultural essentialism as experienced by bi-racial people, and concludes with a discussion on difficulties of modern artists.
Creator
An entity primarily responsible for making the resource
South Asian Visual Arts Centre (SAVAC)
Date
A point or period of time associated with an event in the lifecycle of the resource
2014-09-22
Contributor
An entity responsible for making contributions to the resource
Anna Malla
LGBTQ Oral History DIgital Collaboratory (Elspeth Brown, PI)
Rights
Information about rights held in and over the resource
Creative Commons Attribution-NonCommercial-ShareAlike 3.0 Unported License
Format
The file format, physical medium, or dimensions of the resource
PDF, WAV
Language
A language of the resource
English
Type
The nature or genre of the resource
Sound, Text
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
||||osm
1990s Toronto
bi-racial
bi-racial racism
Desh Pardesh
multiculturalism
racism
SAVAC
South Asian Visual Arts Centre
steve pereira
-
https://digitalexhibitions.arquives.ca/files/original/caeb0819b21b60cb1b9d02465434bebd.pdf
7e17bcd0918521b018ff4265b410e8a1
https://digitalexhibitions.arquives.ca/files/original/6108f07e4a2055b4dea514e27c934615.png
70cdd47e365fb014f1fb97f1aad0741e
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Not a Place on the Map: The Desh Pardesh Project
Subject
The topic of the resource
diaspora, artists, South Asian, people of colour, festivals, identity, racism
Description
An account of the resource
Toronto’s Desh Pardesh festival (1988–2001) was a multidisciplinary arts festival that showcased underrepresented and marginalized voices within the South Asian diaspora. These oral history interviews with artists and organizers involved in the festival were created by the South Asian Visual Arts Centre in 2016.
Creator
An entity primarily responsible for making the resource
South Asian Visual Arts Centre
Date
A point or period of time associated with an event in the lifecycle of the resource
2016
Rights
Information about rights held in and over the resource
South Asian Visual Arts Centre
Relation
A related resource
CLGA holds additional records related to Desh Pardesh and Khush
Format
The file format, physical medium, or dimensions of the resource
PDF, WAV
Language
A language of the resource
English
Type
The nature or genre of the resource
Sound
Identifier
An unambiguous reference to the resource within a given context
Add CLGA accession # once donated
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
1988–2001, Toronto, South Asia
Contributor
An entity responsible for making contributions to the resource
LGBTQ Oral HIstory Digital Collaboratory, SAVAC
Hyperlink
A link, or reference, to another resource on the Internet.
URL
<iframe src="https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/324996596&color=%23ff5500&inverse=false&auto_play=false&show_user=true" frameborder="no" scrolling="no" width="100%" height="20"></iframe>
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Oral History Interview with Anthony Mohamed (2015)
Subject
The topic of the resource
Alliance for South Asian Aids Prevention (ASAAP), Racism, HIV/AIDS, Desh Pardesh, arts festival
Description
An account of the resource
In this interview Anthony Mohamed, and HIV/AIDS activist and attendee of the Desh Pardesh festival discusses several social movements that took place for the LGBTQ community from the 1940s till the 1990s. He discusses the impact of racism within the South Asian community and against it, and how Desh combatted against these experiences.
Creator
An entity primarily responsible for making the resource
South Asian Visual Arts Centre (SAVAC)
Date
A point or period of time associated with an event in the lifecycle of the resource
2015-06-24
Contributor
An entity responsible for making contributions to the resource
Anna Malla
LGBTQ Oral History DIgital Collaboratory (Elspeth Brown, PI)
Rights
Information about rights held in and over the resource
Creative Commons Attribution-NonCommercial-ShareAlike 3.0 Unported License
Format
The file format, physical medium, or dimensions of the resource
PDF, AIF
Language
A language of the resource
English
Type
The nature or genre of the resource
Sound, Text
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
||||osm
1990s Toronto, 1940s Toronto, 1950s Toronto, 1960s Toronto, 1980s Toronto
arts festival
Desh Pardesh
HIV/AIDS
LGBTQ rights
oral history
racism
SAVAC
social movements
South Asian
South Asian Visual Arts Centre
-
https://digitalexhibitions.arquives.ca/files/original/153ded9aef128a1e54cd7a38ef1f5418.pdf
6975b21a85e9f2edc80c119e97c3fc17
https://digitalexhibitions.arquives.ca/files/original/f64f4e7ca5f3ad5345af294c0429c429.png
740e0a1bd9bcc88d27876abebbe3a6b4
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Not a Place on the Map: The Desh Pardesh Project
Subject
The topic of the resource
diaspora, artists, South Asian, people of colour, festivals, identity, racism
Description
An account of the resource
Toronto’s Desh Pardesh festival (1988–2001) was a multidisciplinary arts festival that showcased underrepresented and marginalized voices within the South Asian diaspora. These oral history interviews with artists and organizers involved in the festival were created by the South Asian Visual Arts Centre in 2016.
Creator
An entity primarily responsible for making the resource
South Asian Visual Arts Centre
Date
A point or period of time associated with an event in the lifecycle of the resource
2016
Rights
Information about rights held in and over the resource
South Asian Visual Arts Centre
Relation
A related resource
CLGA holds additional records related to Desh Pardesh and Khush
Format
The file format, physical medium, or dimensions of the resource
PDF, WAV
Language
A language of the resource
English
Type
The nature or genre of the resource
Sound
Identifier
An unambiguous reference to the resource within a given context
Add CLGA accession # once donated
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
1988–2001, Toronto, South Asia
Contributor
An entity responsible for making contributions to the resource
LGBTQ Oral HIstory Digital Collaboratory, SAVAC
Hyperlink
A link, or reference, to another resource on the Internet.
URL
<iframe src="https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/325025585&color=%23ff5500&inverse=false&auto_play=false&show_user=true" frameborder="no" scrolling="no" width="100%" height="20"></iframe>
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Oral History Interview with Michelle Mohabeer
Subject
The topic of the resource
film, artists, oral history, Pakistan, homophobia, Desh Pardesh
Description
An account of the resource
Mohabeer discusses her experience of moving to Canada during the 1970s, when racism, sexism and homophobia were rampant. She also discusses briefly her experience as a Pakistani person in a time where Paki-bashing was common place. Mohabeer then goes on to discuss how she channeled their experiences into her films, discussing two significant ones — Coconut Cannon Cutlass and Child Play, both which were featured at the Desh Pardesh festival. She then discusses their reception, and the lack of engagement with the material at the festivals. She concludes by stating that Desh could recur in the modern day, but it would be different in that the problems of the modern day, and the community organizing of the modern day is different also.
Creator
An entity primarily responsible for making the resource
South Asian Visual Arts Centre (SAVAC)
Date
A point or period of time associated with an event in the lifecycle of the resource
2015-05-07
Contributor
An entity responsible for making contributions to the resource
Anna Malla
LGBTQ Oral History Digital Collaboratory (Elspeth Brown, PI)
Rights
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Creative Commons Attribution-NonCommercial-ShareAlike 3.0 Unported License
Format
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PDF, WAV
Language
A language of the resource
English
Type
The nature or genre of the resource
Sound, Text
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
||||osm
1990s Toronto, 1970s Toronto
Child play
Coconut Cane Cutlass
community organizing
Desh Pardesh
filmography
homophobia
oral history
paki-bashing
racism
SAVAC
sexism
South Asian Visual Arts Centre
-
https://digitalexhibitions.arquives.ca/files/original/b04baf4a76ff8f1aded05fccebef9673.jpg
67995234c184d1730c5f62fbb07a4467
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
LGBTQ+ Buttons
Contributor
An entity responsible for making contributions to the resource
Ryerson University Library and Archives
Canadian Lesbian and Gay Archives
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
TS'S AGAINST RACISM
Subject
The topic of the resource
Transsexual people
anti-racism
Transgender publishers
Description
An account of the resource
Round button with black text over faint grey word "racism" on purple background
Creator
An entity primarily responsible for making the resource
genderpress
Mirha-Soleil Ross
Xanthra Phillippa MacKay
Source
A related resource from which the described resource is derived
genderpress
Publisher
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CLGA
Date
A point or period of time associated with an event in the lifecycle of the resource
1990s
Rights
Information about rights held in and over the resource
genderpress
Mirha-Soleil Ross
Format
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Button
Language
A language of the resource
English
Type
The nature or genre of the resource
Button
Identifier
An unambiguous reference to the resource within a given context
2008-073
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
||||osm
Toronto
genderpress
Mirha-Soleil Ross
racism
transsexual people
Xanthra Philippa Mackay
-
https://digitalexhibitions.arquives.ca/files/original/b72a49742b1930be7a0f14548391cc36.jpg
e9336e3523f7f7ae9f78f1580294e867
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
LGBTQ+ Oral Histories
Description
An account of the resource
A selection of oral histories from The ArQuives collections.
Date
A point or period of time associated with an event in the lifecycle of the resource
1970-2005
Format
The file format, physical medium, or dimensions of the resource
Cassette tapes, digital video
Language
A language of the resource
English
Contributor
An entity responsible for making contributions to the resource
LGBTQ Oral History Digital Collaboratory (Elspeth Brown, PI)
Canadian Lesbian and Gay Archives
Hyperlink
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URL
<iframe width="100%" height="20" scrolling="no" frameborder="no" allow="autoplay" src="https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/261024568&color=%23ff5500&inverse=false&auto_play=false&show_user=true"></iframe><div style="font-size: 10px; color: #cccccc;line-break: anywhere;word-break: normal;overflow: hidden;white-space: nowrap;text-overflow: ellipsis; font-family: Interstate,Lucida Grande,Lucida Sans Unicode,Lucida Sans,Garuda,Verdana,Tahoma,sans-serif;font-weight: 100;"><a href="https://soundcloud.com/thearquives" title="The ArQuives: Canada's LGBTQ2+ Archives" target="_blank" style="color: #cccccc; text-decoration: none;">The ArQuives: Canada's LGBTQ2+ Archives</a> · <a href="https://soundcloud.com/thearquives/2005-135-02t-round-table-talk-with-mitchel-raphael-wayson-choy-and-rinaldo-walcott-part-1" title="2005-135-02T Round Table Talk With Mitchel Raphael, Wayson Choy, And Rinaldo Walcott Part 1" target="_blank" style="color: #cccccc; text-decoration: none;">2005-135-02T Round Table Talk With Mitchel Raphael, Wayson Choy, And Rinaldo Walcott Part 1</a></div>
<iframe width="100%" height="20" scrolling="no" frameborder="no" allow="autoplay" src="https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/261024583&color=%23ff5500&inverse=false&auto_play=false&show_user=true"></iframe><div style="font-size: 10px; color: #cccccc;line-break: anywhere;word-break: normal;overflow: hidden;white-space: nowrap;text-overflow: ellipsis; font-family: Interstate,Lucida Grande,Lucida Sans Unicode,Lucida Sans,Garuda,Verdana,Tahoma,sans-serif;font-weight: 100;"><a href="https://soundcloud.com/thearquives" title="The ArQuives: Canada's LGBTQ2+ Archives" target="_blank" style="color: #cccccc; text-decoration: none;">The ArQuives: Canada's LGBTQ2+ Archives</a> · <a href="https://soundcloud.com/thearquives/2005-135-02t-round-table-talk-with-mitchel-raphael-wayson-choy-and-rinaldo-walcott-part-2" title="2005-135-02T Round Table Talk With Mitchel Raphael, Wayson Choy, And Rinaldo Walcott Part 2" target="_blank" style="color: #cccccc; text-decoration: none;">2005-135-02T Round Table Talk With Mitchel Raphael, Wayson Choy, And Rinaldo Walcott Part 2</a></div>
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Round Table Talk (2005)
Subject
The topic of the resource
gay liberation
politics
transgender people
HIV/AIDS
racism
sexism
Description
An account of the resource
Mitchel Raphael, Rinaldo Walcott, and Wayson Choy reflect on histories of LGBT activism and discuss the future of queer politics.
Part 1 asks what the next "queer war" is, what liberation means now, and how young people feel about queerness. The group talks about where queers of colour and trans people fit in gay politics, and how black, Jewish, Latina, and drag queen stories have been written out of history. The dangers of wanting to change the world.
Part 2 addresses the differences between gay and lesbian politics and trans politics and the "civil wars" among queers who are working out racism, ageism, transphobia, and sexism. How gay people often do not connect accross different groups.
Part 3 reflects on the importance of queer histories and how we can celebrate our successes while remembering their costs.
Date
A point or period of time associated with an event in the lifecycle of the resource
2005-01-12
Format
The file format, physical medium, or dimensions of the resource
Cassette Tape
Language
A language of the resource
English
Identifier
An unambiguous reference to the resource within a given context
2005-135/02T
2005-135/03T
ageism
drag
futurity
gay liberation
politics
queers of colour
racism
sexism
trans
transphobia
-
https://digitalexhibitions.arquives.ca/files/original/c1d403af904d799cf00343cd3537aaeb.jpg
e9336e3523f7f7ae9f78f1580294e867
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
LGBTQ+ Oral Histories
Description
An account of the resource
A selection of oral histories from The ArQuives collections.
Date
A point or period of time associated with an event in the lifecycle of the resource
1970-2005
Format
The file format, physical medium, or dimensions of the resource
Cassette tapes, digital video
Language
A language of the resource
English
Contributor
An entity responsible for making contributions to the resource
LGBTQ Oral History Digital Collaboratory (Elspeth Brown, PI)
Canadian Lesbian and Gay Archives
Hyperlink
A link, or reference, to another resource on the Internet.
URL
<iframe width="100%" height="20" scrolling="no" frameborder="no" allow="autoplay" src="https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/261018844&color=%23ff5500&inverse=false&auto_play=false&show_user=true"></iframe><div style="font-size: 10px; color: #cccccc;line-break: anywhere;word-break: normal;overflow: hidden;white-space: nowrap;text-overflow: ellipsis; font-family: Interstate,Lucida Grande,Lucida Sans Unicode,Lucida Sans,Garuda,Verdana,Tahoma,sans-serif;font-weight: 100;"><a href="https://soundcloud.com/thearquives" title="The ArQuives: Canada's LGBTQ2+ Archives" target="_blank" style="color: #cccccc; text-decoration: none;">The ArQuives: Canada's LGBTQ2+ Archives</a> · <a href="https://soundcloud.com/thearquives/2003-047-54t-clarissa-lagartera" title="2003 - 047 - 54T Clarissa Lagartera" target="_blank" style="color: #cccccc; text-decoration: none;">2003 - 047 - 54T Clarissa Lagartera</a></div>
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Interview with Clarissa Lagartera
Subject
The topic of the resource
lesbians
racism
students' clubs
Description
An account of the resource
Tom Warner interviews Clarissa Lagartera about her gay identity and coming out, activism as a young person, campaign for president of the students' association at the University of Winnipeg, performing as a drag king, the lack of lesbian community in Winnipeg and Manitoba, and the divisions between gay men and lesbians. She also discusses intergenerational issues among lesbians, issues that queers of colour face and a queer of colour group she was involved with, and setting up an LGBT centre at the University of Winnipeg.
Creator
An entity primarily responsible for making the resource
Tom Warner
Date
A point or period of time associated with an event in the lifecycle of the resource
1998-09-09
Format
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Cassette Tape
Language
A language of the resource
English
Identifier
An unambiguous reference to the resource within a given context
2003-047/54T
biphobia
drag
drag kings
homophobia
lesbians
Manitoba
queers of colour
racism
students
Winnipeg