1
10
8
-
https://digitalexhibitions.arquives.ca/files/original/9cef93dd76b325b8dff288f3a4b26ddb.pdf
79356407e650a830082e06f905bfa26c
https://digitalexhibitions.arquives.ca/files/original/70db3dc44d8efabf90f30491bf904b71.png
62ba74f4e76dd10f9c751d02f9e142a5
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Not a Place on the Map: The Desh Pardesh Project
Subject
The topic of the resource
diaspora, artists, South Asian, people of colour, festivals, identity, racism
Description
An account of the resource
Toronto’s Desh Pardesh festival (1988–2001) was a multidisciplinary arts festival that showcased underrepresented and marginalized voices within the South Asian diaspora. These oral history interviews with artists and organizers involved in the festival were created by the South Asian Visual Arts Centre in 2016.
Creator
An entity primarily responsible for making the resource
South Asian Visual Arts Centre
Date
A point or period of time associated with an event in the lifecycle of the resource
2016
Rights
Information about rights held in and over the resource
South Asian Visual Arts Centre
Relation
A related resource
CLGA holds additional records related to Desh Pardesh and Khush
Format
The file format, physical medium, or dimensions of the resource
PDF, WAV
Language
A language of the resource
English
Type
The nature or genre of the resource
Sound
Identifier
An unambiguous reference to the resource within a given context
Add CLGA accession # once donated
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
1988–2001, Toronto, South Asia
Contributor
An entity responsible for making contributions to the resource
LGBTQ Oral HIstory Digital Collaboratory, SAVAC
Hyperlink
A link, or reference, to another resource on the Internet.
URL
<iframe src="https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/325143847&color=%23ff5500&inverse=false&auto_play=false&show_user=true" frameborder="no" scrolling="no" width="100%" height="20"></iframe>
<iframe src="https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/325143847&color=%23ff5500&inverse=false&auto_play=false&show_user=true" frameborder="no" scrolling="no" width="100%" height="20"></iframe>
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Oral History Interview with Amita Handa (2015)
Subject
The topic of the resource
Desh Pardesh, South Asian, Identity politics, Anti-racism, Oral history, Salaam, ASAAP
Description
An account of the resource
This interview with Amita Handa on June 4th, 2015 is largely dedicated to a careful critique of the benefits and dangers of identity politics and intersectional theory, as well as a summary of the arts and culture she and her colleagues were involved with in the late 80s and early 90s, and her experiences as an anti-racism advocate from the late 80s until present (at time of interview). Handa provides a brief overview of her first introduction to Salaam Toronto, Desh Pardesh, and ASAAP and the various roles she later took on in each these, as well as the demise of Desh Pardesh. Also covered is Handa’s career as DJ, both running her radio show on CKLN: Masala Mixx (with Vanita Shirvastav) and at her various parties (including FunkAsia and Besharam). The interview closes with a discussion on the need for more South Asian spaces similar to Desh Pardesh in Toronto in 2015.
Creator
An entity primarily responsible for making the resource
South Asian Visual Arts Centre (SAVAC)
Date
A point or period of time associated with an event in the lifecycle of the resource
2015-06-04
Contributor
An entity responsible for making contributions to the resource
Anna Malla
LGBTQ Oral History Digital Collaboratory (Elspeth Brown, PI)
Rights
Information about rights held in and over the resource
Creative Commons Attribution-NonCommercial-ShareAlike 3.0 Unported License
Format
The file format, physical medium, or dimensions of the resource
PDF, WAV
Language
A language of the resource
English
Type
The nature or genre of the resource
Sound, Text
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
||||osm
Toronto, 1980s, 1990s, 2010s
Anti-Racism
ASAAP
Banghra
Besharam
CKLN
Courthouse
Desh Pardesh
Fly
FunkAsia
Identity politics
Masala Mixx
Ontario
oral history
Red Spot
Salaam Toronto
Sari Queens
South-Asian
Tamil
The Rose
Toronto
Vanita Shirvastav
-
https://digitalexhibitions.arquives.ca/files/original/d01f55df619833939c9a80b1a259c96f.pdf
2185fe55ab5ad0d5a161ab845fc0d571
https://digitalexhibitions.arquives.ca/files/original/98ce8b4414f85748c72dd44155214ae9.png
8e1234c4c76deb21e16ce566ef3598a7
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Not a Place on the Map: The Desh Pardesh Project
Subject
The topic of the resource
diaspora, artists, South Asian, people of colour, festivals, identity, racism
Description
An account of the resource
Toronto’s Desh Pardesh festival (1988–2001) was a multidisciplinary arts festival that showcased underrepresented and marginalized voices within the South Asian diaspora. These oral history interviews with artists and organizers involved in the festival were created by the South Asian Visual Arts Centre in 2016.
Creator
An entity primarily responsible for making the resource
South Asian Visual Arts Centre
Date
A point or period of time associated with an event in the lifecycle of the resource
2016
Rights
Information about rights held in and over the resource
South Asian Visual Arts Centre
Relation
A related resource
CLGA holds additional records related to Desh Pardesh and Khush
Format
The file format, physical medium, or dimensions of the resource
PDF, WAV
Language
A language of the resource
English
Type
The nature or genre of the resource
Sound
Identifier
An unambiguous reference to the resource within a given context
Add CLGA accession # once donated
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
1988–2001, Toronto, South Asia
Contributor
An entity responsible for making contributions to the resource
LGBTQ Oral HIstory Digital Collaboratory, SAVAC
Hyperlink
A link, or reference, to another resource on the Internet.
URL
<iframe src="https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/328879823&color=%23ff5500&inverse=false&auto_play=false&show_user=true" frameborder="no" scrolling="no" width="100%" height="20"></iframe>
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Oral History Interview with Dunstan Egbert (2015)
Subject
The topic of the resource
Oral history, aids activism, identity, Alliance for South Asian AIDS Prevention (ASAAP), Desh Pardesh, Khush, Desi, identity politics, arts festival
Description
An account of the resource
In this oral history Dunstan Egbert describes how he started volunteering with the Alliance for South Asian AIDS Prevention (ASAAP), and Desh Pardesh. He also worked with Khush, but explains why he identifies more as a ASAAP and Desi participant than a Khush volunteer. During Khush, he was a dancer. He speaks about the need for a space like Desh for immigrant and third-culture youth and the rise of identity politics in the age of social media. He ends by giving an accountant’s perspective of Desh, and discusses their inability to balance politics and diversity in occupation of their board members.
Creator
An entity primarily responsible for making the resource
South Asian Visual Arts Centre (SAVAC)
Date
A point or period of time associated with an event in the lifecycle of the resource
2015-09-23
Contributor
An entity responsible for making contributions to the resource
Anna Malla
LGBTQ Oral History Digital Collaboratory (Elspeth Brown, PI)
Rights
Information about rights held in and over the resource
Creative Commons Attribution-NonCommercial-ShareAlike 3.0 Unported License
Format
The file format, physical medium, or dimensions of the resource
PDF, M4A
Language
A language of the resource
English
Type
The nature or genre of the resource
Sound, Text
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
||||osm
Toronto, New York, 1990's, 2000's, 2015
AIDS activism
Alliance for South Asian AIDS Prevention (ASAAP)
arts festival
community
dance
Desh Pardesh
Desi
finance
Identity politics
Khush
oral history
outreach
Snehithan
Tamil activism
-
https://digitalexhibitions.arquives.ca/files/original/35664e1d98e3fab696f773d8b82e6d52.pdf
4dcae521c8b3ef253864a429f3b8486b
https://digitalexhibitions.arquives.ca/files/original/0329d3fc327a753909691907be242c25.png
36c7bef16f6b1d472c085fda9f261b08
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Not a Place on the Map: The Desh Pardesh Project
Subject
The topic of the resource
diaspora, artists, South Asian, people of colour, festivals, identity, racism
Description
An account of the resource
Toronto’s Desh Pardesh festival (1988–2001) was a multidisciplinary arts festival that showcased underrepresented and marginalized voices within the South Asian diaspora. These oral history interviews with artists and organizers involved in the festival were created by the South Asian Visual Arts Centre in 2016.
Creator
An entity primarily responsible for making the resource
South Asian Visual Arts Centre
Date
A point or period of time associated with an event in the lifecycle of the resource
2016
Rights
Information about rights held in and over the resource
South Asian Visual Arts Centre
Relation
A related resource
CLGA holds additional records related to Desh Pardesh and Khush
Format
The file format, physical medium, or dimensions of the resource
PDF, WAV
Language
A language of the resource
English
Type
The nature or genre of the resource
Sound
Identifier
An unambiguous reference to the resource within a given context
Add CLGA accession # once donated
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
1988–2001, Toronto, South Asia
Contributor
An entity responsible for making contributions to the resource
LGBTQ Oral HIstory Digital Collaboratory, SAVAC
Hyperlink
A link, or reference, to another resource on the Internet.
URL
<iframe src="https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/324996602&color=%23ff5500&inverse=false&auto_play=false&show_user=true" frameborder="no" scrolling="no" width="100%" height="20"></iframe>
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Oral History Interview with Ian Iqbal Rashid (2015)
Subject
The topic of the resource
Salaam Toronto, politics, racism, social exclusion, Desh Pardesh, gay, South Asian
Description
An account of the resource
Ian Iqbal Rashid is a poet and writer, and one of the co-founders of Desh Pardesh. In this interview he discusses the conception of Desh, its original visions and its its manifestation into an internationally recognized event. Rashid was not involved extensively in programming or planning, but was instrumental to bringing together the necessary team to do so. Rashid also discusses race politics, race shame, and the political climate of Toronto from the late 1980s to late 1990s. He concludes with how Desh Pardesh shaped him as a South Asian artist and gay man.
Creator
An entity primarily responsible for making the resource
South Asian Visual Arts Centre (SAVAC)
Date
A point or period of time associated with an event in the lifecycle of the resource
28-05-2015
Contributor
An entity responsible for making contributions to the resource
Anna Malla
LGBTQ Oral History DIgital Collaboratory (Elspeth Brown, PI)
Rights
Information about rights held in and over the resource
Creative Commons Attribution-NonCommercial-ShareAlike 3.0 Unported License
Format
The file format, physical medium, or dimensions of the resource
PDF, MOV
Language
A language of the resource
English
Type
The nature or genre of the resource
Sound, Text
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
||||osm
1980s Toronto, 1990s Toronto
arts festival
Desh Pardesh
event planning
gay men
Identity politics
oral history
politics
programming
race politics
race shame
SAVAC
South Asian
South Asian Visual Arts Centre
-
https://digitalexhibitions.arquives.ca/files/original/3c4ed937011c1b1384fe4667611ef0b0.pdf
8f8ba4d75d8e6d9406ecf26cf67ff17b
https://digitalexhibitions.arquives.ca/files/original/6cee769db0dcf245ec312efe4f6fed13.png
0ef354d6fa85bb900676655cbac40c7a
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Not a Place on the Map: The Desh Pardesh Project
Subject
The topic of the resource
diaspora, artists, South Asian, people of colour, festivals, identity, racism
Description
An account of the resource
Toronto’s Desh Pardesh festival (1988–2001) was a multidisciplinary arts festival that showcased underrepresented and marginalized voices within the South Asian diaspora. These oral history interviews with artists and organizers involved in the festival were created by the South Asian Visual Arts Centre in 2016.
Creator
An entity primarily responsible for making the resource
South Asian Visual Arts Centre
Date
A point or period of time associated with an event in the lifecycle of the resource
2016
Rights
Information about rights held in and over the resource
South Asian Visual Arts Centre
Relation
A related resource
CLGA holds additional records related to Desh Pardesh and Khush
Format
The file format, physical medium, or dimensions of the resource
PDF, WAV
Language
A language of the resource
English
Type
The nature or genre of the resource
Sound
Identifier
An unambiguous reference to the resource within a given context
Add CLGA accession # once donated
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
1988–2001, Toronto, South Asia
Contributor
An entity responsible for making contributions to the resource
LGBTQ Oral HIstory Digital Collaboratory, SAVAC
Hyperlink
A link, or reference, to another resource on the Internet.
URL
<iframe src="https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/325143844&color=%23ff5500&inverse=false&auto_play=false&show_user=true" frameborder="no" scrolling="no" width="100%" height="20"></iframe>
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Oral History Interview with Shelly Bahl (2015)
Subject
The topic of the resource
South Asian Visual Arts Centre, Art Galleries, Visual Arts, Collectives, SAVAC, Desh Pardesh, oral history
Description
An account of the resource
Shelly Bahl was one of the founders of the South Asian Visual Arts Centre (SAVAC). In this interview she discusses her role in several small collectives prior to her full involvement in SAVAC, and how these collectives worked hand in hand with the Desh Pardesh group. She discusses her vision for what SAVAC should be, and how they manifested this in their grant applications. One thing that she was consistently pushing was artistic professionalism.
Creator
An entity primarily responsible for making the resource
South Asian Visual Arts Centre (SAVAC)
Date
A point or period of time associated with an event in the lifecycle of the resource
2015-06-17
Contributor
An entity responsible for making contributions to the resource
Anna Malla
LGBTQ Oral History Digital Collaboratory (Elspeth Brown, PI)
Rights
Information about rights held in and over the resource
Creative Commons Attribution-NonCommercial-ShareAlike 3.0 Unported License
Format
The file format, physical medium, or dimensions of the resource
PDF, MP3
Language
A language of the resource
English
Type
The nature or genre of the resource
Sound, Text
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
||||osm
1990s Toronto
artist
artistic professionalism
arts festival
collectives
community organization
Desh Pardesh
Identity politics
oral history
SAVAC
South Asian
South Asian Visual Arts Centre
-
https://digitalexhibitions.arquives.ca/files/original/32e841503e431a9c5221832be9a4dd7f.pdf
7999ee3afe71113243144c87eedad509
https://digitalexhibitions.arquives.ca/files/original/ebd372105ab023074a04bdbfb4b3120e.png
54e2bf4644f4a3d50a339cdfee42d8c0
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Not a Place on the Map: The Desh Pardesh Project
Subject
The topic of the resource
diaspora, artists, South Asian, people of colour, festivals, identity, racism
Description
An account of the resource
Toronto’s Desh Pardesh festival (1988–2001) was a multidisciplinary arts festival that showcased underrepresented and marginalized voices within the South Asian diaspora. These oral history interviews with artists and organizers involved in the festival were created by the South Asian Visual Arts Centre in 2016.
Creator
An entity primarily responsible for making the resource
South Asian Visual Arts Centre
Date
A point or period of time associated with an event in the lifecycle of the resource
2016
Rights
Information about rights held in and over the resource
South Asian Visual Arts Centre
Relation
A related resource
CLGA holds additional records related to Desh Pardesh and Khush
Format
The file format, physical medium, or dimensions of the resource
PDF, WAV
Language
A language of the resource
English
Type
The nature or genre of the resource
Sound
Identifier
An unambiguous reference to the resource within a given context
Add CLGA accession # once donated
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
1988–2001, Toronto, South Asia
Contributor
An entity responsible for making contributions to the resource
LGBTQ Oral HIstory Digital Collaboratory, SAVAC
Hyperlink
A link, or reference, to another resource on the Internet.
URL
<iframe src="https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/325025581&color=%23ff5500&inverse=false&auto_play=false&show_user=true" frameborder="no" scrolling="no" width="100%" height="20"></iframe>
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Oral History Interview with Zainab Verjee (2015)
Subject
The topic of the resource
Politics, Discrimination, Activism, Identity Politics, Desh Pardesh, arts festival, Invisible Colours, Western Front, Vancouver Art Gallery, oral history
Description
An account of the resource
Verjee talks about her experience interacting with the Desh Pardesh festival in the late 1990s. She was not involved directly at an organizational level, but comes from a background in community organization because of her involvement in groups such as Invisible Colours, the Western Front and Vancouver Art Gallery. Verjee discusses her understanding of the collapse of the Desh Pardesh festival, and equates it to the excessive intervention of politics in the organizational hierarchy of the festival.
Creator
An entity primarily responsible for making the resource
South Asian Visual Arts Centre (SAVAC)
Date
A point or period of time associated with an event in the lifecycle of the resource
2015-06-18
Contributor
An entity responsible for making contributions to the resource
Anna Malla
LGBTQ Oral History Digital Collaboratory (Elspeth Brown, PI)
Rights
Information about rights held in and over the resource
Creative Commons Attribution-NonCommercial-ShareAlike 3.0 Unported License
Format
The file format, physical medium, or dimensions of the resource
PDF, WAV
Language
A language of the resource
English
Type
The nature or genre of the resource
Sound, Text
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
||||osm
1980s Vancouver, 1990s Toronto
community organizing
Desh Pardesh
Identity politics
inter-politics
Invisible Colours
SAVAC
South Asian Visual Arts Centre
The Western Front
Vancouver Art Gallery
-
https://digitalexhibitions.arquives.ca/files/original/865221c1af9eb78788508ff99713dbc5.png
6d3f47f652f9c1808240a65dec0e7ab9
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Not a Place on the Map: The Desh Pardesh Project
Subject
The topic of the resource
diaspora, artists, South Asian, people of colour, festivals, identity, racism
Description
An account of the resource
Toronto’s Desh Pardesh festival (1988–2001) was a multidisciplinary arts festival that showcased underrepresented and marginalized voices within the South Asian diaspora. These oral history interviews with artists and organizers involved in the festival were created by the South Asian Visual Arts Centre in 2016.
Creator
An entity primarily responsible for making the resource
South Asian Visual Arts Centre
Date
A point or period of time associated with an event in the lifecycle of the resource
2016
Rights
Information about rights held in and over the resource
South Asian Visual Arts Centre
Relation
A related resource
CLGA holds additional records related to Desh Pardesh and Khush
Format
The file format, physical medium, or dimensions of the resource
PDF, WAV
Language
A language of the resource
English
Type
The nature or genre of the resource
Sound
Identifier
An unambiguous reference to the resource within a given context
Add CLGA accession # once donated
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
1988–2001, Toronto, South Asia
Contributor
An entity responsible for making contributions to the resource
LGBTQ Oral HIstory Digital Collaboratory, SAVAC
Hyperlink
A link, or reference, to another resource on the Internet.
URL
<iframe src="https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/325282645&color=%23ff5500&inverse=false&auto_play=false&show_user=true" frameborder="no" scrolling="no" width="100%" height="20"></iframe>
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Oral History with Leila Sujir (2014)
Subject
The topic of the resource
Identity Politics, Desh Pardesh, Oral History, Immigration, India Hearts Beat, Leile Sujir, arts festival, Dreams of a Night Cleaner, Quebec
Description
An account of the resource
Leila Sujir is an artist that first worked at Desh Pardesh in the late 1980s. Her work India Hearts Beat screened in Toronto, and she was invited to discuss it. She felt that Desh was a space of both validation and contention. She argues it gave emerging artists a space to present their work and gave a sense of importance to it, which was difficult in the racialized landscape of 1980s Toronto. Sujir also cites that the cultural context of Desh presented an overarching identity politics that concerned the population of Toronto. She felt that there was contention between groups, there was a competition of oppression and the rise of an “identity minefield”. Sujir also discusses her work Dreams of a Night Cleaner to conceptualize how physicality and space was a major component of her artistic work. She concludes the interview by discussing the erasure of oppression in her home province, Quebec and discusses briefly a new project in the UK.
Creator
An entity primarily responsible for making the resource
South Asian Visual Arts Centre (SAVAC)
Date
A point or period of time associated with an event in the lifecycle of the resource
2014-11-28
Contributor
An entity responsible for making contributions to the resource
Anna Malla
LGBTQ Oral History DIgital Collaboratory (Elspeth Brown, PI)
Rights
Information about rights held in and over the resource
Creative Commons Attribution-NonCommercial-ShareAlike 3.0 Unported License
Format
The file format, physical medium, or dimensions of the resource
PDF, WAV
Language
A language of the resource
English
Type
The nature or genre of the resource
Sound, Text
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
||||osm
1980s Toronto, 2000s Quebec
Desh Pardesh
diaspora
Dreams of the Night Cleaners
Identity politics
immigration
memory
oral history
racism
Rosemary Brown
SAVAC
South Asian
South Asian Visual Arts Centre
Tony Morrison
Toronto
-
https://digitalexhibitions.arquives.ca/files/original/7ebe2be6b415bdce939c25d50e90035f.png
9650314b4431bf8a5e48d420a2500499
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Not a Place on the Map: The Desh Pardesh Project
Subject
The topic of the resource
diaspora, artists, South Asian, people of colour, festivals, identity, racism
Description
An account of the resource
Toronto’s Desh Pardesh festival (1988–2001) was a multidisciplinary arts festival that showcased underrepresented and marginalized voices within the South Asian diaspora. These oral history interviews with artists and organizers involved in the festival were created by the South Asian Visual Arts Centre in 2016.
Creator
An entity primarily responsible for making the resource
South Asian Visual Arts Centre
Date
A point or period of time associated with an event in the lifecycle of the resource
2016
Rights
Information about rights held in and over the resource
South Asian Visual Arts Centre
Relation
A related resource
CLGA holds additional records related to Desh Pardesh and Khush
Format
The file format, physical medium, or dimensions of the resource
PDF, WAV
Language
A language of the resource
English
Type
The nature or genre of the resource
Sound
Identifier
An unambiguous reference to the resource within a given context
Add CLGA accession # once donated
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
1988–2001, Toronto, South Asia
Contributor
An entity responsible for making contributions to the resource
LGBTQ Oral HIstory Digital Collaboratory, SAVAC
Hyperlink
A link, or reference, to another resource on the Internet.
URL
<iframe src="https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/341822904&color=%23ff5500&inverse=false&auto_play=false&show_user=true" frameborder="no" scrolling="no" width="100%" height="20"></iframe>
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Oral History with Punam Khosla (2015)
Subject
The topic of the resource
Political organization, misogyny, Politics, Homophobia, oral history, Desh Pardesh
Description
An account of the resource
Punam Khosla was the coordinator of the Desh Pardesh festival from the second festival in 1991 to 1993. She headed the festival with clear political goals, which often clashed with other organizers of the event but she was not willing to compromise the vision of Desh Pardesh. She discusses the immense amount of misogyny and homophobia she encountered, which were a couple of the principle reasons of her departure. She also touches on her work prior to Desh and the resentment she felt towards her in these spaces as well.
Creator
An entity primarily responsible for making the resource
South Asian Visual Arts Centre (SAVAC)
Date
A point or period of time associated with an event in the lifecycle of the resource
2015-02-27
Contributor
An entity responsible for making contributions to the resource
Anna Malla
LGBTQ Oral History DIgital Collaboratory (Elspeth Brown, PI)
Rights
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Creative Commons Attribution-NonCommercial-ShareAlike 3.0 Unported License
Format
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PDF, MP3
Language
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English
Type
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Sound, Text
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
||||osm
1990s Toronto, 1980s Toronto
Desh Pardesh
homophobia
Identity politics
Khush
misogyny
oral history
politics
SAVAC
South Asian Visual Arts Centre
-
https://digitalexhibitions.arquives.ca/files/original/5945e719f4d6640892003a5b5bc5ca17.pdf
998f38e3f1c0121ede93f58fb7dfe702
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Not a Place on the Map: The Desh Pardesh Project
Subject
The topic of the resource
diaspora, artists, South Asian, people of colour, festivals, identity, racism
Description
An account of the resource
Toronto’s Desh Pardesh festival (1988–2001) was a multidisciplinary arts festival that showcased underrepresented and marginalized voices within the South Asian diaspora. These oral history interviews with artists and organizers involved in the festival were created by the South Asian Visual Arts Centre in 2016.
Creator
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South Asian Visual Arts Centre
Date
A point or period of time associated with an event in the lifecycle of the resource
2016
Rights
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South Asian Visual Arts Centre
Relation
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CLGA holds additional records related to Desh Pardesh and Khush
Format
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PDF, WAV
Language
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English
Type
The nature or genre of the resource
Sound
Identifier
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Add CLGA accession # once donated
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
1988–2001, Toronto, South Asia
Contributor
An entity responsible for making contributions to the resource
LGBTQ Oral HIstory Digital Collaboratory, SAVAC
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Retro/Desh Program Outline 1998
Subject
The topic of the resource
Programme, cultural spaces, film and video critique
Description
An account of the resource
This image depicts a pamphlet for the program outline of Retro/Desh that was held from July 21-August 1 1998, it highlights events from each day and provides context for the theme of that year's events.
Date
A point or period of time associated with an event in the lifecycle of the resource
1998
Rights
Information about rights held in and over the resource
CLGA
Format
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PDF
Language
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English
Type
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Still Image
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
||||osm
Toronto 1998
critique
cultural communities
Desh Pardesh
film and video
Identity politics
SAVAC
South Asian Visual Arts Centre
technology